Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 9, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 9, 2025
Featured · Film Festivals · Review · TIFF Karmadonna (2025) ‘TIFF’ Movie Review: The Writer of ‘A Serbian Film’ Returns with a Bombastic Celebration of Hedonistic Excess Nikola Jovic October 8, 2025October 9, 2025
Featured · Film Festivals · NYFF · Review Jay Kelly (2025) ‘NYFF’ Movie Review: The Mirror Cracks in Hollywood’s Face – Noah Baumbach’s Latest is about the Fragility of Fame Aryan Vyas October 5, 2025October 10, 2025
BFI London Film Festival · Featured · Film Festivals · Review DJ Ahmet (2025) ‘BFI London Film Festival’ Movie Review: This North Macedonian Coming-of-Age Comedy is a Barrel of Laughs Jordon Searle October 3, 2025October 7, 2025
Featured · Film Festivals · NYFF · Review Nouvelle Vague (2025) ‘NYFF’ Movie Review: A Playful, Irreverent Hangout Film Aimed At Cinephiles Liam Gaughan October 2, 2025October 3, 2025
BFI London Film Festival · Film Festivals · Review Enzo (2025) ‘BFI London Film Festival’ Movie Review: Muddled French Drama Pulled in Too Many Directions Jordon Searle October 2, 2025October 3, 2025
Featured · Netflix · Review · Streaming NowThe Woman in Cabin 10 (2025) Movie Review: A By-the-Numbers, Suitably Twisty Agatha Christie PasticheOctober 11, 2025 Liam Gaughan
Featured · ReviewRoofman (2025) Movie Review: A Bleak Romantic-Comedy Merged With An Idiosyncratic Crime DramaOctober 11, 2025 Liam Gaughan
Featured · ReviewLeft Handed Girl (2025) Movie Review: A Vibrant Screwball Comedy of Chaos, Family, and Modern Womanhood October 11, 2025 Shivam Pota
The Woman in Cabin 10 (2025) Movie Review: A By-the-Numbers, Suitably Twisty Agatha Christie Pastiche
Left Handed Girl (2025) Movie Review: A Vibrant Screwball Comedy of Chaos, Family, and Modern Womanhood
Kontinental ‘25 (2025) ‘FNC’ Movie Review: An Unusually Restrained But Expectedly Tedious Radu Jude Satire
Film Festivals · Locarno · Review Two Seasons, Two Strangers (2025) ‘Locarno’ Movie Review: Sho Miyake Draws Sublime Whispers From Chance Encounters Debanjan Dhar September 9, 2025
Film Festivals · Review Novak (2025) ‘Edinburgh’ Movie Review: A Revealing If Sometimes Mismanaged Sci-Fi Minded Portrait of Radical Communities Vassilis Kroustallis September 9, 2025
Film Festivals · Review On The Sea (2025) ‘Edinburgh’ Movie Review: An Observant But Rather Timid View of the Queer Predicament Vassilis Kroustallis September 9, 2025
Film Festivals · Review Blue Film (2025) ‘Edinburgh’ Movie Review: A Powerful Queer Debut on Tainted Relations Vassilis Kroustallis September 9, 2025
Netflix · Review · Streaming Now Night Always Comes (2025) Movie Review: A Well-Acted, But Inauthentic Urban Thriller Liam Gaughan September 9, 2025
Review The Ice Tower (La tour de glace, 2025) Movie Review: An Achingly Beautiful Modern Fairy Tale Liam Gaughan September 9, 2025
Review Nobody 2 (2025) Movie Review: The Midlife Crisis John Wick Returns, and This Time, He Just Wants a Break Ollie Wheaton September 9, 2025
Review No Country for Old Men (2007) Movie Review: The Coen Brothers’ Stark Masterpiece of Fate, Evil, and Nihilism David Morgan Brown August 30, 2025
High On Films
