Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Featured · ReviewThe Wolves Always Come at Night (2024) Movie Review: A visually arresting, transportive swansong about lives erased by ecological crisesDecember 21, 2025 Akash Deshpande
Featured · ReviewAvatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative BankruptcyDecember 19, 2025 Julian Malandruccolo
Featured · ReviewIt Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential HorrorDecember 18, 2025 Harihara Srinivasan.G
The Wolves Always Come at Night (2024) Movie Review: A visually arresting, transportive swansong about lives erased by ecological crises
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant
Film Festivals · Review · Sundance In the Land of Brothers (2024) ‘Sundance’ Movie Review: The Otherness and Frustration of Being an Immigrant Shikhar Verma March 2, 2025
Review Disciples of the 36th Chamber (1985) Movie Review: A Farcical Sequel with a Confusing Character Arc Aneesh Raikundalia January 24, 2024
Film Festivals · Review · Sundance Desire Lines (2024) ‘Sundance’ Movie Review: Hybrid Docu Lights a Tinderbox on Trans sexuality Debanjan Dhar March 2, 2025
Film Festivals · Review · Sundance Igualada (2024) ‘Sundance’ Movie Review – A Passionate but Half-etched Sketch of Black Colombian Activist Debanjan Dhar March 2, 2025
Films This Week · Review I.S.S. (2024) Movie Review: A Mixed Thriller Leaving Its Characters Floating in the Emptiness of Space Julian Malandruccolo March 2, 2025
Review The Beekeeper (2024) Movie Review: A Screenplay Committed to Stylish Violence But Not Without Self-reflection Ashwani Kumar January 23, 2024
Review · VOD The Boys in the Boat (2023) Movie Review: The Perfect Exemplification of Why “They Don’t Make Films Like They Used To” Thomas Gladstone January 22, 2024
Review Where the Green Ants Dream (1984) Review: Quintessential Herzogian Splendour David Morgan Brown February 9, 2024
Review Inside Job (2010) Review: The Film That Cost $20,000,000,000,000 To Make Sumit Singh January 20, 2024
High On Films
