Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Featured · ReviewThe Piano Accident (2025) Movie Review: A Razor-Sharp Satire about Fame in the Age of Social MediaDecember 21, 2025 Akash Deshpande
Featured · ReviewThe Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological CrisesDecember 21, 2025 Akash Deshpande
Featured · ReviewAvatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative BankruptcyDecember 19, 2025 Julian Malandruccolo
The Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological Crises
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
Films This Week · Prime Video · Review · Streaming Now One Fine Morning [2022] Review – Mia Hansen-Løve’s intimate drama features a luminous Léa Seydoux but feels overly familiar Shikhar Verma January 9, 2024
Review All Dirt Roads Taste of Salt (2023) Movie Review: An Ambitious, Flawed First from an Exciting New Voice Thomas Gladstone January 3, 2024
Review Next Goal Wins (2023) Movie Review: Decently Charming But Distinctly Unambitious Thomas Gladstone February 3, 2024
Review More Than Ever (2022) Movie Review: An Expedition of Acceptance and Self-Realization Niikhiil Akhiil December 30, 2023
Review Atonement (2007) Movie Review: A Cinematic Masterpiece of Love, War, and Redemption Vasundhara Parashar September 2, 2024
Films This Week · Review Three of Us (2023) Review: A Tale of Persevering the Present than Preserving the Past Ashwani Kumar January 2, 2024
Review Inheritance (Daayam, 2023) Movie Review: Till Death Do Us Apart Niikhiil Akhiil December 29, 2023
Netflix · Review · Streaming Now Sesham Mike-il Fathima (2023) ‘Netflix’ Movie Review: An Almost Utopian Struggle Story That Leaves You with a Smile Pramila Tripathi December 28, 2023
Review American Fiction (2023) Movie Review: Milquetoast Satire Gets Stuck Pandering to Same Consumer It Tries to Skewer Ron Meyer December 28, 2023
![One Fine Morning [2022] Review – Mia Hansen-Løve’s intimate drama features a luminous Léa Seydoux but feels overly familiar](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/12/ONE-FINE-MORNING-2022-MOVIE-REVIEW-768x415.jpg)
High On Films
