Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Featured · ReviewThe Piano Accident (2025) Movie Review: A Razor-Sharp Satire about Fame in the Age of Social MediaDecember 21, 2025 Akash Deshpande
Featured · ReviewThe Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological CrisesDecember 21, 2025 Akash Deshpande
Featured · ReviewAvatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative BankruptcyDecember 19, 2025 Julian Malandruccolo
The Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological Crises
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
Netflix · Review · Streaming Now Kho Gaye Hum Kahan (2023) Movie Review – A Honest, Well-Acted Look At the Fallacies of the Social-Media-Obsessed Generation Shikhar Verma January 3, 2024
Films This Week · Review Aquaman and the Lost Kingdom (2023) Movie Review: A Sloppily Planned Funeral for the DCEU Thomas Gladstone January 2, 2024
Films This Week · Review The Boy and the Heron (2023) Movie Review: Miyazaki Returns With An Autobiographical Flourish In One Of The Best Films Of The Year Virat Nehru January 2, 2024
Films This Week · Review Salaar (2023) Movie Review: Contributes to the Stylised Showcase of Pathological Violence Ashwani Kumar January 2, 2024
Films This Week · Review The Iron Claw (2023) Movie Review: Tragic American Saga Uncannily Combines Arthouse Austerity and Heartfelt Sentimentalism Ron Meyer January 2, 2024
Review Rose (2023) Movie Review: Not Rose-Colored, But Blooming Danish Film On Mental Illness Vassilis Kroustallis December 21, 2023
Netflix · Review · Streaming Now Nyad (2023) Movie Review: Inspiring Story Suffocated by Narrative Conventions Thomas Gladstone December 20, 2023
Film Festivals · Review Io Capitano (2023) ‘KIFF’ Review: Seydou Sarr is Unforgettable in Garrone’s Rousing, Triumphant Migrant Odyssey Debanjan Dhar December 22, 2023
Review · Streaming Now · Tubi Young, Sexy & Dead (2023) Movie Review – Philip Alderton’s re-titled satire on the fashion industry is still relevant, but it misses more than it hits Shikhar Verma December 20, 2023
High On Films
