Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Featured · ReviewThe Piano Accident (2025) Movie Review: A Razor-Sharp Satire about Fame in the Age of Social MediaDecember 21, 2025 Akash Deshpande
Featured · ReviewThe Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological CrisesDecember 21, 2025 Akash Deshpande
Featured · ReviewAvatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative BankruptcyDecember 19, 2025 Julian Malandruccolo
The Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological Crises
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
Film Festivals · Review On the Adamant (2023) ‘KIFF’ Review: Nicolas Philibert’s Documentary about a Parisian Day-Care Boat Asks us to Care More Deeply Debanjan Dhar December 20, 2023
Film Festivals · Review On My Father’s Grave (2023) ‘KISFF’ Review: A Short Film about Women Who Won’t Wait at Home Levan Tskhovrebadze December 20, 2023
Film Festivals · Review Chalchitra Ekhon (2023) ‘KIFF’ Review: Anjan Dutt’s Tribute to Mrinal Sen Barely Scratches the Surface Debanjan Dhar December 20, 2023
Film Festivals · Review The Old Oak (2023) ‘KIFF’ Review: Ken Loach’s Tale of a Divided Town Is Too Simplistic and Cloying Debanjan Dhar December 19, 2023
Film Festivals · Review In Our Day (2023) ‘KIFF’ Review: Kim Min-hee and Ki Joo-bong delightfully anchor Hong Sang-soo’s minor charmer Debanjan Dhar December 17, 2023
Film Festivals · Review Perfect Days (2023) ‘KIFF’ Review: Koji Yakusho is Luminous in Wim Wenders’ Exquisitely Still Drama Debanjan Dhar December 17, 2023
Film Festivals · Review Dreaming & Dying (2023) “SGIFF’ Movie Review: Looking for Answers Beyond Reality Niikhiil Akhiil December 17, 2023
Film Festivals · Review A Ride in the Rain (2023) ‘KIFF’ Short Film Review: An Exploration of A Moment of the Intersection of Many Lives Mainak Dutta December 16, 2023
Apple TV+ · Review · Streaming Now The Family Plan (2023) Movie Review: A Bland, Predictable ‘Dad Movie’ for dads to go gaga over Akash Deshpande December 16, 2023
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