Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 17, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Review · Streaming Now · TubiOdd Man Rush (2025) Movie Review: A heartfelt but instantly forgettable coming-of-age film about the weight of pursuing a singular dream October 17, 2025 Shikhar Verma
Featured · ReviewWake Up Dead Man: A Knives Out Mystery (2025) Movie Review: A Thoughtful Religious Drama Imbued with Another Rian Johnson MysteryOctober 17, 2025 Liam Gaughan
Featured · Film Festivals · ReviewLa Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for MercyOctober 17, 2025 Julian Malandruccolo
Odd Man Rush (2025) Movie Review: A heartfelt but instantly forgettable coming-of-age film about the weight of pursuing a singular dream
Wake Up Dead Man: A Knives Out Mystery (2025) Movie Review: A Thoughtful Religious Drama Imbued with Another Rian Johnson Mystery
Bhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra Kumar
Review · Streaming Now · The Criterion Channel Stonewalling (2022) Movie Review: A Sad But Terrific Portrait of Baby Business in China Vassilis Kroustallis October 9, 2023
Review · Streaming Now · The Criterion Channel Dr. Mabuse (1922) Movie Review: The Reign of Terror and the Birth of Cinema Somnath Bhattacharjee October 10, 2023
Review Explanation for Everything (2023) Movie Review: Four Individuals and a Series of Unfortunate Events Niikhiil Akhiil October 9, 2023
Film Festivals · Review Bad Living (2023) “CIFF” Movie Review: Excruciatingly sluggish drama with contrived nihilism Debanjan Dhar October 9, 2023
Paramount+ · Review · Streaming Now The Caine Mutiny Court Martial (2023) Movie Review – Even in his final film, Friedkin chooses to provoke the audience Amartya Acharya October 7, 2023
Films This Week · Review The Exorcist: Believer (2023) Movie Review: The Devil of the Future Possessing the Legacy of the Past Ashwani Kumar October 7, 2023
BFI London Film Festival · Film Festivals · Great Films · Review Celluloid Underground (2023) ‘BFI-LFF’ Documentary Review – A poetic ode to the ones who dared to dream celluloid dreams Georgia May October 6, 2023
Review Dreamin’ Wild (2023) Movie Review: A mellow, richly acted and compassionate film Debanjan Dhar October 6, 2023
MUBI · Review · Streaming Now Passages (2023) Movie Review – Franz Rogowski is a bisexual narcissist in Ira Sachs’ brutal and affecting look at modern relationships and their messy overlay Shikhar Verma October 6, 2023
High On Films
