Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
Featured · Review · Streaming Now · Zee5 GlobalBhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra KumarOctober 16, 2025 Amartya Acharya
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Bhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra Kumar
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Netflix · Review · Streaming Now Friday Night Plan (2023) ‘Netflix’ Movie review: This isn’t Superbad. Wait!, read that again Rohit Saha September 28, 2023
Netflix · Review · Streaming Now Happy Ending (2023) Movie Review: Easy, Breezy Romcom that Will Leave You Satisfied Ahendrila Goswami September 28, 2023
Film Festivals · Review Europa (2023) ‘Sarajevo Film Festival’ Movie Review – Striking but uneven neoliberal corporate critique Debanjan Dhar September 28, 2023
Review American: An Odyssey to 1947 (2022) Documentary Review: Finding America in the Tumultuous Journey of Orson Welles Ashwani Kumar August 31, 2023
Review Golda (2023) Movie Review: Strong Writing and Acting Transform Middle Eastern History Lesson into Taut Closed-Room Thriller Ron Meyer September 20, 2023
Review · VOD Welcome to Redville (2023) Movie Review: Modern-day Twilight Zone storytelling on a budget that takes big swings Amartya Acharya August 31, 2023
Review Here (2023) Movie Review: A Compassionate Push from the Groovy Cliffs Niikhiil Akhiil August 31, 2023
Review Tales of the Unusual (2000) Movie Review: An Extremely Appealing Anthology Buffet Aneesh Raikundalia August 31, 2023
Film Festivals · Review Lost Country (2023) ‘Sarajevo Film Festival’ Movie Review – Jovan Ginic tenderly anchors complex, probing mother-son drama Debanjan Dhar August 30, 2023
High On Films
