Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Review · VOD Wildflower (2023) Movie Review: A coming-of-age story that is confused between being a dysfunctional family portrait and an acceptance of disability Shikhar Verma May 22, 2023
Netflix · Review You and Me and Me (2023) Movie Review: An Evocative Exploration of Love, Separation, and Emotional Growth Akash Deshpande May 22, 2023
Cannes · Film Festivals · Review Creatura (2023) ‘Cannes’ Review: An Intimate and Complex Portrait of Female Sexuality Arun Kumar July 10, 2024
Netflix · Review · Streaming Now Kathal: A Jackfruit Mystery (2023) Review: Too inconsistent in wits to be a social satire, too maudlin to be a serious procedural Amartya Acharya May 20, 2023
Review Robots (2023) Review: An AI-Powered Punch in a Rom-com that is All Over The Place Ahendrila Goswami May 20, 2023
Cannes · Film Festivals · Review Inshallah A Boy (2023) Movie Review: Jordan’s Cannes Debut Is A Riveting Exploration of An Archaic Practice With A Defiant Performance By Mouna Hawa Parth Pant June 6, 2023
Films This Week · Review 8 AM Metro (2023) Movie Review: Despite Gulshan Devaiah’s committed performance, the poetry in this romance is lost in translation Akash Deshpande May 19, 2023
Review · Streaming Now Help Is On the Way (2020) Review – An Impassioned Portrait of Caregivers Arun Kumar May 19, 2023
Review · VOD Motion Detected (2023) Review: A Riveting Cautionary Tale About The Horrors of AI Debopriyaa Dutta May 17, 2023
High On Films
