Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Films This Week · Review Ponniyin Selvan II (PS 2)(2023) Movie Review: An Historical Epic That Is Defined by Its Most Intimate Character Moments Aryan Vyas April 29, 2023
Review Hungry Dog Blues (2022) Movie Review: The Debut Feature From Filmmaker Jason Abrams Depicts The Moral Conundrum of Helping Family Parth Pant April 29, 2023
Review Guardians of the Galaxy Vol. 3 (2023) Movie Review: James Gunn delivers an emotional farewell to the MCU Rob Jones July 22, 2024
Review Tommy Guns (2023) Movie Review: An Uneven Yet Hauntingly Powerful Exploration of The Perennial Scars of Colonialism Parth Pant April 29, 2023
Review Red Earth (2023) Movie Review: An indie Science-Fiction Marvel that is Beautiful albeit Distant Shashwat Sisodiya April 29, 2023
Review Kiss, Kiss! (2023) Review: A Creepy Womanizer’s Romantic Fantasy Masqueraded as a Slapstick Comedy Drama Akash Deshpande April 27, 2023
Review · VOD My Sister’s Wedding (2023) Review – One Wedding and Four Revelations Shikhar Verma April 27, 2023
Review The Bread and Alley (1970) Short Film Review: A Film about Situations and Defense Mechanisms with Comedic Undertones Ankush Sengupta July 15, 2024
Review Ghosted (2023) Movie Review: So bland & milquetoast, you would be forgiven if you thought an AI wrote it Amartya Acharya April 23, 2023
High On Films
