Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 19, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 22, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
Featured · ReviewUnbanked (2025) Documentary Review: A mostly biased look at the elusive world of cryptocurrencyOctober 22, 2025 Shikhar Verma
Featured · ReviewRebuilding (2025) Movie Review: A Warm-Hearted, Reflective Work of Empathetic AmericanaOctober 22, 2025 Liam Gaughan
Featured · ReviewThe Love That Remains (Ástin sem eftir er, 2025) Movie Review: An Endearing, Frequently Hilarious Collection of Family MemoriesOctober 22, 2025 Liam Gaughan
The Love That Remains (Ástin sem eftir er, 2025) Movie Review: An Endearing, Frequently Hilarious Collection of Family Memories
A Private Life (Vie privée, 2025) ‘BFI London Film Festival’ Movie Review: Foster’s French Mystery is Utterly Charming
MUBI · Review · Streaming Now A Wild Patience Has Taken Me Here (2021) Review: A Proudly Queer Short Film that is Simultaneously Tender and Bold Ahendrila Goswami August 10, 2024
Review · Shudder · Streaming Now Attachment (2023) Review – Queer Jewish horror rattles at the dreadful repercussions of co-dependency Shikhar Verma February 10, 2023
Review Rewatching ‘New Rose Hotel (1998)’ – Trying To Find Meaning Backwards Guilherme Rodrigues June 4, 2023
Film Festivals · Review · Rotterdam Endless Borders (Marzhaye Bi Payan, 2023) Movie ‘IFFR’ Review: A stimulating drama on the growing uncertainties of the contemporary world Akash Deshpande February 16, 2024
Films This Week · Review The Blue Caftan (2023) Review: A Pensive Look at Emotionless Attachments Cultivated in the Name of Steadfast Duty Reubyn Coutinho February 8, 2023
Films This Week · Review Knock at the Cabin (2023) Review – A lean thriller that doubles down as a cautionary climate change allegory Shikhar Verma February 7, 2023
Review Jethica (2023) Review: A Beautiful Landscape Meets an Annoying Ghost Ahendrila Goswami February 6, 2023
Netflix · Review · Streaming Now Infiesto (2023) Review: A Familiar But Taut Spanish Thriller From Netflix Parth Pant February 4, 2023
Review Faraaz (2023) Review: A Convincing Film on Terrorist Violence with an Unwanted Tail of Sentimentalism Ahendrila Goswami March 31, 2023
High On Films
