Featured · Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 4, 2025
Featured · Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 2, 2025
Featured · Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma August 7, 2025
Featured · Film Festivals · Review · Venice Film Festival Frankenstein (2025) ‘Venice Film Festival’ Movie Review: Guillermo del Toro’s Latest Monster Mash is Gothic, Gory, Gorgeous, and Just a Bit Staid BJ Thoray September 8, 2025September 8, 2025
Featured · Film Festivals · Review · Venice Film Festival After the Hunt (2025) ‘Venice Film Festival’ Review: This Cancel-Culture Thriller is an Empty Discourse Dud BJ Thoray September 8, 2025September 8, 2025
Featured · Film Festivals · Review · Venice Film Festival The Smashing Machine (2025) ‘Venice Film Festival’ Movie Review: Hulking Dwayne ‘The Rock’ Johnson’s Anti-Biopic is Stylish, Underwhelming Sports Flick BJ Thoray September 8, 2025September 8, 2025
Featured · Film Festivals · Review · Venice Film Festival Father Mother Sister Brother (2025) ‘Venice Film Festival’ Movie Review: Pure Jarmusch Is Obtuse, Slight, and Lingering BJ Thoray September 8, 2025September 8, 2025
Featured · Film Festivals · Review · Venice Film Festival A House of Dynamite (2025) ‘Venice Film Festival’ Movie Review: Nuclear War Thriller Lacks Payload BJ Thoray September 8, 2025September 8, 2025
Featured · Film Festivals · Review · TIFF Rental Family (2025) ‘TIFF’ Movie Review: Hikari’s Tale of Cheap Emotional Gratification Lives Up To That Promise in its Own Execution Julian Malandruccolo September 8, 2025September 8, 2025
Featured · Film Festivals · Review · Venice Film FestivalFrankenstein (2025) ‘Venice Film Festival’ Movie Review: Guillermo del Toro’s Latest Monster Mash is Gothic, Gory, Gorgeous, and Just a Bit StaidSeptember 8, 2025 BJ Thoray
Featured · Film Festivals · Review · Venice Film FestivalAfter the Hunt (2025) ‘Venice Film Festival’ Review: This Cancel-Culture Thriller is an Empty Discourse DudSeptember 8, 2025 BJ Thoray
Featured · Film Festivals · Review · Venice Film FestivalThe Smashing Machine (2025) ‘Venice Film Festival’ Movie Review: Hulking Dwayne ‘The Rock’ Johnson’s Anti-Biopic is Stylish, Underwhelming Sports FlickSeptember 8, 2025 BJ Thoray
Frankenstein (2025) ‘Venice Film Festival’ Movie Review: Guillermo del Toro’s Latest Monster Mash is Gothic, Gory, Gorgeous, and Just a Bit Staid
After the Hunt (2025) ‘Venice Film Festival’ Review: This Cancel-Culture Thriller is an Empty Discourse Dud
The Smashing Machine (2025) ‘Venice Film Festival’ Movie Review: Hulking Dwayne ‘The Rock’ Johnson’s Anti-Biopic is Stylish, Underwhelming Sports Flick
Father Mother Sister Brother (2025) ‘Venice Film Festival’ Movie Review: Pure Jarmusch Is Obtuse, Slight, and Lingering
Review Drishyam 2 (2022) Review: A Sequel of Mixed Experientiality Justified by its Necessity Ashwani Kumar November 19, 2022
Prime Video · Review · Streaming Now The People We Hate at the Wedding (2022) Review: A forcefully put together Dysfunctional Family Portrait Ahendrila Goswami November 19, 2022
Film Festivals · Review Hit Big [2022] ‘PÖFF’ Review – A Comedic Crime Caper with Shabbiest Characters Arun Kumar July 14, 2023
Netflix · Review · Streaming Now I Am Vanessa Guillén [2022] Netflix Documentary Review: Horrifying true story of a 20-year-old soldier murdered in her Army Camp Santanu Das November 19, 2022
Review Sagasu (Missing) Review: Japanese Thriller is a Twisted, Slow-burn Ride Santanu Das July 15, 2024
Max · Review · Streaming Now A Christmas Story Christmas [2022] ‘HBO MAX’ Review – An Okayish Sequel to the Beloved Holiday Classic Arun Kumar November 21, 2022
Review Leonor Will Never Die (2022) Review – An interesting Meta-story wrapped around a mediocre Fantasy Shashwat Sisodiya November 20, 2022
Film Festivals · Review The Poet [2022] ‘PÖFF’ Review – A Powerful Indictment of Soviet Colonialism Arun Kumar July 16, 2023
![Hit Big [2022] ‘PÖFF’ Review – A Comedic Crime Caper with Shabbiest Characters](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/11/Hit-Big-2022-768x432.jpeg)
![I Am Vanessa Guillén [2022] Netflix Documentary Review: Horrifying true story of a 20-year-old soldier murdered in her Army Camp](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/11/I_Am_Vanessa_Guillen_Documentary-Review-768x669.png)
![A Christmas Story Christmas [2022] ‘HBO MAX’ Review – An Okayish Sequel to the Beloved Holiday Classic](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/11/A-Christmas-Story-Christmas-2022-768x432.jpg)
![The Poet [2022] ‘PÖFF’ Review – A Powerful Indictment of Soviet Colonialism](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/11/The-Poet-2022-768x432.jpg)
High On Films
