Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 17, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 19, 2025
Featured · ReviewLet’s Call the Whole Thing Off (2025) Movie Review: A Well-Intentioned but Uninspired Romance Dramedy about Issues with Attachment StylesOctober 19, 2025 Akash Deshpande
Review · Streaming Now · TubiOdd Man Rush (2025) Movie Review: A heartfelt but instantly forgettable coming-of-age film about the weight of pursuing a singular dream October 17, 2025 Shikhar Verma
Featured · ReviewWake Up Dead Man: A Knives Out Mystery (2025) Movie Review: A Thoughtful Religious Drama Imbued with Another Rian Johnson MysteryOctober 17, 2025 Liam Gaughan
Let’s Call the Whole Thing Off (2025) Movie Review: A Well-Intentioned but Uninspired Romance Dramedy about Issues with Attachment Styles
Odd Man Rush (2025) Movie Review: A heartfelt but instantly forgettable coming-of-age film about the weight of pursuing a singular dream
Wake Up Dead Man: A Knives Out Mystery (2025) Movie Review: A Thoughtful Religious Drama Imbued with Another Rian Johnson Mystery
Review Little Nicholas: Happy as Can Be (2022) Review: A sentimental, charming look into a creator’s mindscape Akash Deshpande December 27, 2022
Film Festivals · IFFK · Review Vettapattikalum Oottakkarum (2022) IFFK Review: A Quirky Satire on the Violation of Freedom and Privacy Krishnanunni Padinjassery January 2, 2023
Disney+ · Review · Streaming Now Govinda Naam Mera (2022): An Outlandish Yet Watered Down Old School Bollywood Entertainer Aryan Vyas April 19, 2024
Netflix · Review · Streaming Now Bardo Review: Innaritu’s Cinematic Treachery Is Grand, Remarkable, And Forgettable Arnav Srivastav June 21, 2024
Netflix · Review · Streaming Now The Big 4 (2022) ‘Netflix’ Review: A Silly, Goofy Action Extravaganza Akash Deshpande December 27, 2022
Film Festivals · IFFK · Review The Beasts [2022]: ‘IFFK’ Review – A Pensive Rural Thriller that Unveils Xenophobia and Class war Lurking in Western Europe Anju Devadas December 27, 2022
Film Festivals · IFFK · Review Working Class Heroes (2022): ‘IFFK’ Review – A Timely Commentary on Human Rights Violation at the Workplace that Suffers from a Predictable Plot Krishnanunni Padinjassery December 27, 2022
Review Bones And All (2022) Review: Gross And Graceful At Once, This Genre Blender Will Leave You Hungry Aryan Vyas December 21, 2022
Film Festivals · IFFK · Review Alam (2022) IFFK Review: A Coming-of-Age Story on the Fleeting Nature of Symbols and Memory set in Israel-occupied Palestine Krishnanunni Padinjassery December 20, 2022
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