Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 11, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
Featured · ReviewCome See Me in the Good Light (2025) Documentary Review: The Soul-Crushing Numbness of Existence Explored Through a Disarming CandidnessNovember 11, 2025 Akash Deshpande
Featured · ReviewBull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay HangoverNovember 11, 2025 Akash Deshpande
Featured · ReviewBaby Driver (2017) Movie Review: Style Overwhelms and Enhances a Mostly Homage-Heavy SubstanceNovember 10, 2025 Amartya Acharya
Come See Me in the Good Light (2025) Documentary Review: The Soul-Crushing Numbness of Existence Explored Through a Disarming Candidness
Bull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay Hangover
Songs of Forgotten Trees (2025) Movie Review: The Hollow Echoes of Female Friendships, Spaces, Childhoods, and Desires
Film Festivals · Review · Sundance Pianoforte (2023): ‘Sundance’ Review – Chopin’s Legacy Lives On Akram Herrak January 22, 2023
Film Festivals · Review · Sundance Against the Tide (2023): ‘Sundance’ Review – Disrupting Synonymity Between Technology and Development Through a Deeply Personal Document of Friendship Ashwani Kumar January 22, 2023
Netflix · Review · Streaming Now Mission Majnu (2023) ‘Netflix’ Review: Redemption, Patriotism, and Diplomacy Define This Mild-Mannered Spy Thriller Arnav Srivastav January 22, 2023
Review Nanpakal Nerathu Mayakkam (2023) Review: An ‘In Between’ Story That Blurs the Lines between Reality and Dreams Sandeep Sreelekha February 27, 2023
Review Raymond Lewis: LA Legend (2022) Review – A tragic tale of a legend that never was Shikhar Verma January 19, 2023
Review Guadalajara (2018) Review – A Fairly Conventional Queer Story That Could’ve Made for a Riveting Drama Aryan Vyas January 17, 2023
Review · VOD Out of Exile (2023) Review – A largely derivative film that fails to create a genuine sense of thrill Akash Deshpande January 16, 2023
Films This Week · Review · VOD Detective Knight: Independence (2023) Review – An unexciting conclusion to a vapid cop-trilogy Shikhar Verma January 16, 2023
Peacock · Review · Streaming Now Sick (2023) Review: Kevin Williamson’s COVID Slasher Delivers Heart-Stopping Tension Parth Pant January 15, 2023
High On Films
