Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 29, 2025
Featured · ReviewPredator: Badlands (2025) Movie Review: After Three Attempts Dan Trachtenberg Finally Locks on the Scent of a Decent HuntNovember 6, 2025 Julian Malandruccolo
Featured · ReviewPistachio Wars (2025) Documentary Review: A haunting investigation into America’s corporate greed that’s busy commodifying life itselfNovember 5, 2025 Shikhar Verma
Featured · ReviewLittle Amélie or the Character of Rain (2025) Movie Review: An Unabashedly Sentimental and Imaginative Look At The Dawn of ChildhoodNovember 5, 2025 Liam Gaughan
Predator: Badlands (2025) Movie Review: After Three Attempts Dan Trachtenberg Finally Locks on the Scent of a Decent Hunt
Pistachio Wars (2025) Documentary Review: A haunting investigation into America’s corporate greed that’s busy commodifying life itself
Little Amélie or the Character of Rain (2025) Movie Review: An Unabashedly Sentimental and Imaginative Look At The Dawn of Childhood
Lasting Moments (2025) Movie Review & Ending Explained: An Emotional Exploration of ‘In Sickness and In Health’ or Just a Flawed Fairy-tale?
MUBI · Review · Streaming Now That Kind Of Summer (2022) MUBI Review: A Bleak And Unfiltered Portrait Of The Psychology Of Female Hypersexuality Anju Devadas December 29, 2022
Review Devi Aur Hero (2019): A Problematic Take on Trauma, Female Bodies, and Hero Worship Ahendrila Goswami December 29, 2022
Film Festivals · IFFK · Review No Bears [2022]: ‘IFFK’ Review – Jafar Panahi’s self-referential, introspective autofiction on artistic freedom condemns Iran’s repressive regime Anju Devadas December 28, 2022
Films This Week · Review · VOD The Disappearance of Toby Blackwood Movie (2022) Review: An Underwhelming Trip to the Conspiracy Rabbit Hole Debopriyaa Dutta December 28, 2022
Film Festivals · IFFK · Review R.M.N. (2022) ‘IFFK’ Review: Mungiu’s Metaphorical Moral Thriller Tackles Xenophobic Prejudice And Racism In Romania Anju Devadas December 27, 2022
Review Little Nicholas: Happy as Can Be (2022) Review: A sentimental, charming look into a creator’s mindscape Akash Deshpande December 27, 2022
Film Festivals · IFFK · Review Vettapattikalum Oottakkarum (2022) IFFK Review: A Quirky Satire on the Violation of Freedom and Privacy Krishnanunni Padinjassery January 2, 2023
Disney+ · Review · Streaming Now Govinda Naam Mera (2022): An Outlandish Yet Watered Down Old School Bollywood Entertainer Aryan Vyas April 19, 2024
Netflix · Review · Streaming Now Bardo Review: Innaritu’s Cinematic Treachery Is Grand, Remarkable, And Forgettable Arnav Srivastav June 21, 2024
![No Bears [2022]: ‘IFFK’ Review – Jafar Panahi’s self-referential, introspective autofiction on artistic freedom condemns Iran’s repressive regime](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/12/No-Bears-2022-Movie-Review-768x432.jpg)
High On Films
