Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Dear Stranger (2025) ‘BIFF’ Movie Review: A layered portrait of marital discontent, fragile masculinity, and bourgeois anxieties Akash Deshpande September 18, 2025
Featured · Film Festivals · Review · TIFF In Search of the Sky (Vimukt, 2025) ‘TIFF’ Movie Review: Blue Horizons of Hope and Exclusion Bipasha Bhattacharyya September 16, 2025September 17, 2025
Film Festivals · Review · TIFF Under the Same Sun (Bajo el bismo sol, 2025) ‘TIFF’ Movie Review: Ulises Porra’s Sobering Humane Survival Drama Features Lived-in Performances but Lacks Bite Akash Deshpande September 12, 2025September 13, 2025
Featured · Film Festivals · Review · TIFF The Fence (2025) ‘TIFF’ Movie Review: Another Muted Examination of Neocolonial Neglect from Claire Denis Julian Malandruccolo September 12, 2025September 12, 2025
Featured · Film Festivals · Review · Venice Film Festival The Stranger (L’Étranger, 2025) ‘Venice Film Festival’ Movie Review: Adaptation of Camus Classic is Beautiful, Understated Ordeal BJ Thoray September 11, 2025September 12, 2025
Film Festivals · Review · Venice Film Festival Rose of Nevada (2025) ‘Venice Film Festival’ Movie Review: Mark Jenkin’s Trippy, Bittersweet Return to Cornwall BJ Thoray September 11, 2025September 12, 2025
Featured · Film Festivals · ReviewDear Stranger (2025) ‘BIFF’ Movie Review: A layered portrait of marital discontent, fragile masculinity, and bourgeois anxietiesSeptember 18, 2025 Akash Deshpande
Featured · ReviewOne Battle After Another (2025) Movie Review: An Exhilarating Neo-Western Chase Through A Fractured AmericaSeptember 17, 2025 Liam Gaughan
Featured · ReviewA Big Bold Beautiful Journey (2025) Movie Review: Kogonada’s Beautiful Visuals Can’t Save This Misguided Charlie Kaufman PasticheSeptember 17, 2025 Liam Gaughan
Dear Stranger (2025) ‘BIFF’ Movie Review: A layered portrait of marital discontent, fragile masculinity, and bourgeois anxieties
One Battle After Another (2025) Movie Review: An Exhilarating Neo-Western Chase Through A Fractured America
A Big Bold Beautiful Journey (2025) Movie Review: Kogonada’s Beautiful Visuals Can’t Save This Misguided Charlie Kaufman Pastiche
Film Festivals · Review · TIFF Winter Boy [2022] ‘TIFF’ Review: An Affecting And Personal Meditation On Loss & Grief Anju Devadas September 11, 2022
Films This Week · Review Brahmastra Part One: Shiva (2022) Review: Boring Brahminical Bullshit Ashwani Kumar September 10, 2022
Review Pinocchio (2022 Live Action) Review: When You Don’t Wish Upon A Star, Your Nightmares Come True Matt Geiger July 10, 2023
Film Festivals · Review · Venice Film Festival Trenque Lauquen [2022] ‘Venice’ Review: A Curious Mystery That Paints A Fragmented Portrait of a Woman Debopriyaa Dutta September 9, 2022
Film Festivals · Review · Venice Film Festival World War III [2022]: ‘Venice’ Review – A sharp and poignant tale of a film crew member pushed to the breaking point Amartya Acharya September 9, 2022
Film Festivals · Review · Venice Film Festival Anhell69 [2022]: ‘Venice’ Review – A Intimate and Melancholic Portrait of the Young Queer Scene in Medellin Arun Kumar September 8, 2022
Review · VOD Lost Inside (2022) Review: Sweet Indie Rom-Com that Treats Mental Health Almost Right Ahendrila Goswami September 14, 2022
Netflix · Review · Streaming Now Diorama [2022] Netflix Review: This Swedish Film Ruins a Relationship Drama with Unnecessary Tonal Shifts Santanu Das September 7, 2022
Film Festivals · Review · Venice Film Festival Dogborn [2022]: ‘Venice’ Review – An Evocative Drama Rooted in Humanism Akash Deshpande September 7, 2022
![Winter Boy [2022] ‘TIFF’ Review: An Affecting And Personal Meditation On Loss & Grief](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Winter-boy-2022-review-768x384.jpg)
![Trenque Lauquen [2022] ‘Venice’ Review: A Curious Mystery That Paints A Fragmented Portrait of a Woman](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Trenque-Lauquen-2022-Venice-Review-768x432.jpeg)
![World War III [2022]: ‘Venice’ Review – A sharp and poignant tale of a film crew member pushed to the breaking point](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/World-War-III-2022-Movie-Review-1-768x512.jpg)
![Anhell69 [2022]: ‘Venice’ Review – A Intimate and Melancholic Portrait of the Young Queer Scene in Medellin](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/A69_02-768x432.jpg)
![Diorama [2022] Netflix Review: This Swedish Film Ruins a Relationship Drama with Unnecessary Tonal Shifts](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Diorama-2022-Netflix-Review-768x576.webp)
![Dogborn [2022]: ‘Venice’ Review – An Evocative Drama Rooted in Humanism](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Dogborn-2022-Movie-Review-2-768x384.png)
High On Films
