Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 19, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 17, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
ReviewLuderdale (2025) Movie Review: A bland crime thriller that messes up its own inconsistent design October 22, 2025 Shikhar Verma
BFI London Film Festival · Featured · Film Festivals · ReviewDie My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on FireOctober 20, 2025 Hayyan Khawaja
Featured · ReviewThe Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative InsertsOctober 20, 2025 Liam Gaughan
Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire
The Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative Inserts
Review · VOD 1-800-Hot-Nite (2022) Review: An affecting, yet middling adolescent drama Akash Deshpande November 10, 2022
Apple TV+ · Films This Week · Review · Streaming Now Causeway [2022] Review – Jennifer Lawrence steers this moving but slight PTSD drama with an understated performance Shikhar Verma November 6, 2022
Review Hawa (2022) Review: An Ungainly, Unfocused Jumble Of The Wild And Tepid Debanjan Dhar November 1, 2022
Review A Chance Encounter (2022) Review – A Meandering Rivulet Of Melodies And Verses Zeus Ghosh November 1, 2022
Review The Invitation (2022) Review: Two Movies Tied Into One, Both Equally Uninspiring Aryan Vyas October 31, 2022
Netflix · Review · Streaming Now All Quiet on the Western Front (2022) ‘Netflix’ Review: War! What Is It Good For? Suvo Pyne October 30, 2022
Films This Week · Review The Novelist’s Film (2022) Review: Looking back at the inspirations found in the simplest of comforts Lopamudra Mukherjee October 30, 2022
Netflix · Review · Streaming Now Cici (2022) ‘Netflix’ Review: A contemplative family drama with jarring tonal shifts Akash Deshpande October 29, 2022
Netflix · Review · Streaming Now The Good Nurse (2022) ‘Netflix’ Review: A Cold War Of Chastain’s Good & Redmayne’s Evil Lopamudra Mukherjee October 28, 2022
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High On Films
