Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
Featured · Review · Streaming Now · Zee5 GlobalBhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra KumarOctober 16, 2025 Amartya Acharya
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Bhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra Kumar
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Film Festivals · Review · Venice Film Festival Hanging Gardens (Janain Mualaqa) [2022] ‘Venice’ Review: Children Learning The True Meaning Of Exploitation And Commercialization Raktim Nandi September 11, 2022
Review · Streaming Now · Tubi Eradication [2022] Review – An implausible but lean pandemic-set thriller Shikhar Verma September 11, 2022
Film Festivals · Review · TIFF Winter Boy [2022] ‘TIFF’ Review: An Affecting And Personal Meditation On Loss & Grief Anju Devadas September 11, 2022
Films This Week · Review Brahmastra Part One: Shiva (2022) Review: Boring Brahminical Bullshit Ashwani Kumar September 10, 2022
Review Pinocchio (2022 Live Action) Review: When You Don’t Wish Upon A Star, Your Nightmares Come True Matt Geiger July 10, 2023
Film Festivals · Review · Venice Film Festival Trenque Lauquen [2022] ‘Venice’ Review: A Curious Mystery That Paints A Fragmented Portrait of a Woman Debopriyaa Dutta September 9, 2022
Film Festivals · Review · Venice Film Festival World War III [2022]: ‘Venice’ Review – A sharp and poignant tale of a film crew member pushed to the breaking point Amartya Acharya September 9, 2022
Film Festivals · Review · Venice Film Festival Anhell69 [2022]: ‘Venice’ Review – A Intimate and Melancholic Portrait of the Young Queer Scene in Medellin Arun Kumar September 8, 2022
Review · VOD Lost Inside (2022) Review: Sweet Indie Rom-Com that Treats Mental Health Almost Right Ahendrila Goswami September 14, 2022
![Hanging Gardens (Janain Mualaqa) [2022] ‘Venice’ Review: Children Learning The True Meaning Of Exploitation And Commercialization](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Hanging-Gardens-2022-Review-768x576.jpeg)
![Eradication [2022] Review – An implausible but lean pandemic-set thriller](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Eradication-2022-Movie-Review-768x395.jpg)
![Winter Boy [2022] ‘TIFF’ Review: An Affecting And Personal Meditation On Loss & Grief](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Winter-boy-2022-review-768x384.jpg)
![Trenque Lauquen [2022] ‘Venice’ Review: A Curious Mystery That Paints A Fragmented Portrait of a Woman](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Trenque-Lauquen-2022-Venice-Review-768x432.jpeg)
![World War III [2022]: ‘Venice’ Review – A sharp and poignant tale of a film crew member pushed to the breaking point](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/World-War-III-2022-Movie-Review-1-768x512.jpg)
![Anhell69 [2022]: ‘Venice’ Review – A Intimate and Melancholic Portrait of the Young Queer Scene in Medellin](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/A69_02-768x432.jpg)
High On Films
