Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
Featured · Review · Streaming Now · Zee5 GlobalBhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra KumarOctober 16, 2025 Amartya Acharya
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Bhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra Kumar
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Netflix · Review · Streaming Now Diorama [2022] Netflix Review: This Swedish Film Ruins a Relationship Drama with Unnecessary Tonal Shifts Santanu Das September 7, 2022
Film Festivals · Review · Venice Film Festival Dogborn [2022]: ‘Venice’ Review – An Evocative Drama Rooted in Humanism Akash Deshpande September 7, 2022
Film Festivals · Review · Venice Film Festival Goliath [2022]: ‘Venice’ Review – A Stark Vision of a Land Conspired of Violence Santanu Das September 7, 2022
Film Festivals · Review · Venice Film Festival Victim [2022] ‘Venice’ Review – A Mother’s Unexpected Encounter with Politics of Polarization Arun Kumar September 6, 2022
Film Festivals · Review · Venice Film Festival Burning Hearts (2022) ‘Venice’ Review: A cyclical revenge tale with a cinematic narration Akash Deshpande September 5, 2022
Film Festivals · Review · Venice Film Festival The Last Queen [2022]: ‘Venice’ Review – A Highly Engrossing Period Drama from Algiers Arun Kumar September 5, 2022
Review · VOD Forbearance [2022] Review – A badly acted and exhausting cancer-picture Shikhar Verma September 5, 2022
Film Festivals · Review · Venice Film Festival Beating Sun [2022] ‘Venice’ Review: Swann Arlaud is Superb in This Assured Phillppe Petit Drama Santanu Das September 4, 2022
Film Festivals · Review · Venice Film Festival Three Nights a Week (2022): ‘Venice’ Review – A Tenderly Crafted Romance Drama Akash Deshpande September 2, 2022
![Diorama [2022] Netflix Review: This Swedish Film Ruins a Relationship Drama with Unnecessary Tonal Shifts](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Diorama-2022-Netflix-Review-768x576.webp)
![Dogborn [2022]: ‘Venice’ Review – An Evocative Drama Rooted in Humanism](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Dogborn-2022-Movie-Review-2-768x384.png)
![Goliath [2022]: ‘Venice’ Review – A Stark Vision of a Land Conspired of Violence](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Goliath-2022-Movie-Review-768x322.jpg)
![Victim [2022] ‘Venice’ Review – A Mother’s Unexpected Encounter with Politics of Polarization](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Victim-2022-768x432.jpg)
![The Last Queen [2022]: ‘Venice’ Review – A Highly Engrossing Period Drama from Algiers](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/The-Last-Queen-2022-1-768x416.jpg)
![Forbearance [2022] Review – A badly acted and exhausting cancer-picture](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Forbearance-Movie-Review-768x322.png)
![Beating Sun [2022] ‘Venice’ Review: Swann Arlaud is Superb in This Assured Phillppe Petit Drama](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/09/Beating-Sun-2022-Review-768x432.jpeg)
High On Films
