Featured · Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma August 7, 2025
Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma August 13, 2025
Films This Week · Review Saiyaara (2025) Movie Review: A Somewhat Sincere Love Ballad Peppered With Familiar Mohit Suri-Isms Shikhar Verma July 24, 2025
Featured · Film Festivals · Review Fantasy (2025) ‘Sarajevo’ Movie Review: The Body Politic Gets a Pop Remix Sofia Topi August 19, 2025August 19, 2025
Featured · Film Festivals · Locarno · Review Two Seasons, Two Strangers (2025) ‘Locarno’ Movie Review: Sho Miyake Draws Sublime Whispers From Chance Encounters Debanjan Dhar August 18, 2025August 18, 2025
Featured · Film Festivals · Review Novak (2025) ‘Edinburgh’ Movie Review: A Revealing If Sometimes Mismanaged Sci-Fi Minded Portrait of Radical Communities Vassilis Kroustallis August 17, 2025August 17, 2025
Featured · Film Festivals · Review On The Sea (2025) ‘Edinburgh’ Movie Review: An Observant But Rather Timid View of the Queer Predicament Vassilis Kroustallis August 17, 2025August 17, 2025
Featured · Film Festivals · Review Blue Film (2025) ‘Edinburgh’ Movie Review: A Powerful Queer Debut on Tainted Relations Vassilis Kroustallis August 17, 2025August 19, 2025
Featured · Film Festivals · Locarno · Review Hair, Paper, Water… (Tóc, Giáy Và Nuóc, 2025) ‘Locarno’ Movie Review: Wondrously Porous Distillation of Language-Memory Debanjan Dhar August 14, 2025August 15, 2025
Featured · ReviewHoney Don’t! (2025) Movie Review: A Muted, Unengaged Rendition Of Coen Brothers GreatnessAugust 20, 2025 Liam Gaughan
Featured · Film Festivals · ReviewFantasy (2025) ‘Sarajevo’ Movie Review: The Body Politic Gets a Pop RemixAugust 19, 2025 Sofia Topi
Featured · ReviewLilly Lives Alone (2025) Movie Review: A Poignant, Frustrating Examination of GriefAugust 19, 2025 Debopriyaa Dutta
Ghich Pich (2025) Movie Review: A nostalgia-dipped slice-of-life dramadey about the push-and-pull for small adjustments in life
Film Festivals · Review · SXSW Soft & Quiet [2022]: ‘SXSW’ Review – A Deeply Disturbing Horror Film On Violent Acts Of Racism Pramit Chatterjee March 14, 2022
Film Festivals · Review · SXSW Sissy [2022]: ‘SXSW’ Review – A Luscious And Brutal Horror Comedy Packed With Brilliant Performances Pramit Chatterjee March 13, 2022
Film Festivals · Review · SXSW Deadstream [2022]: ‘SXSW’ Review – Evil Dead for the Twitch and Youtube Livestreaming generation Amartya Acharya March 13, 2022
Film Festivals · Review · SXSW The Pez Outlaw [2022] ‘SXSW’ Review – An Outlandish Story Told In An Imaginative And Empathetic Way Pramit Chatterjee March 13, 2022
Film Festivals · Review · SXSW To Leslie [2022]: ‘SXSW’ Review – An excellent Andrea Riseborough performance propels this familiar redemption story Shikhar Verma March 8, 2022
Disney+ · Review Turning Red [2022] Review: Pixar’s Hopeful Take on Constant Changes of Life is Positively Giddy Suvo Pyne March 12, 2022
Film Festivals · MAMI · Review The Daughter [2022] ‘MAMI’ Review: A Chilling, Powerful Portrait of Death and Closure in Modern Socio-political landscape Shashwat Sisodiya March 16, 2022
Review · VOD The Shepherdess and The Seven Songs [2022] Review: A Slow-Burn, Feminist Take on Nomadic Life in Kashmir Raktim Nandi March 14, 2022
Disney+ · Films This Week · Review · Streaming Now Super Sharanya (2022) Zee5 Review: Entertainment for The Sake of Entertainment Akash Deshpande March 12, 2022
![Soft & Quiet [2022]: ‘SXSW’ Review – A Deeply Disturbing Horror Film On Violent Acts Of Racism](https://www.highonfilms.com/wp-content/uploads/2022/03/Soft-and-Quiet-1-768x432.jpeg)
![Sissy [2022]: ‘SXSW’ Review – A Luscious And Brutal Horror Comedy Packed With Brilliant Performances](https://www.highonfilms.com/wp-content/uploads/2022/03/Sissy-1-768x403.jpg)
![Deadstream [2022]: ‘SXSW’ Review – Evil Dead for the Twitch and Youtube Livestreaming generation](https://www.highonfilms.com/wp-content/uploads/2022/03/Deadstream-768x432.jpeg)
![The Pez Outlaw [2022] ‘SXSW’ Review – An Outlandish Story Told In An Imaginative And Empathetic Way](https://www.highonfilms.com/wp-content/uploads/2022/03/The-Pez-Outlaw-2022-SXSW-768x433.jpeg)
![To Leslie [2022]: ‘SXSW’ Review – An excellent Andrea Riseborough performance propels this familiar redemption story](https://www.highonfilms.com/wp-content/uploads/2022/03/To-Leslie-1-768x432.jpg)
![Turning Red [2022] Review: Pixar’s Hopeful Take on Constant Changes of Life is Positively Giddy](https://www.highonfilms.com/wp-content/uploads/2022/03/Turning-Red-2-768x432.jpg)
![The Daughter [2022] ‘MAMI’ Review: A Chilling, Powerful Portrait of Death and Closure in Modern Socio-political landscape](https://www.highonfilms.com/wp-content/uploads/2022/03/The-Daughter-3-768x324.png)
![The Shepherdess and The Seven Songs [2022] Review: A Slow-Burn, Feminist Take on Nomadic Life in Kashmir](https://www.highonfilms.com/wp-content/uploads/2022/03/The-Shepherdess-and-The-Seven-Songs_hof-768x432.jpg)
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