Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 19, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 17, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · ReviewDie My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on FireOctober 20, 2025 Hayyan Khawaja
Featured · ReviewThe Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative InsertsOctober 20, 2025 Liam Gaughan
Featured · ReviewThe Summer Book (2025) Movie Review: Quiet Islands, Lingering Absence, and the Gift of StillnessOctober 20, 2025 Bipasha Bhattacharyya
Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire
The Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative Inserts
How to Shoot a Ghost (2025) Short Film Review: A Tender Humanist Exploration of the Anxieties of Boundless Rejection
Films This Week · Review · VOD Unplugging [2022] Review: A Relatable Comedy about Digital Detox that Shines Through All Odds Ahendrila Goswami April 19, 2022
Disney+ · Review Death on the Nile [2022] Review: A Luhrmanesque Interpretation of the Source Material Reubyn Coutinho April 26, 2022
Film Festivals · Review I’ll Show You Mine [2022] ‘SIFF’ Review – A clear-eyed, radically frank look into sexual exploration and trauma Debanjan Dhar April 16, 2022
Review KGF Chapter 2 [2022] Review – Prashanth Neel Goes For Broke To Mark Rocking Star Yash’s Return As Rocky Pramit Chatterjee April 15, 2022
Review · VOD Room 203 [2022] Review: A Gripping Tale that Ebbs and Flows between being a Teenage Drama and a Thrilling Horror Movie Ahendrila Goswami April 14, 2022
Review · VOD Implanted [2022] Review – A shallow A.I-gone-wrong thriller Shikhar Verma April 19, 2022
Films This Week · Review The Lost City [2022] Review – Sandra Bullock & Channing Tatum cannot save this stale, humorless romp Shikhar Verma August 20, 2024
MUBI · Review Bela (2021): A Hypnotic Exploration of Time, Moving and Mysterious in its Rhythms Ahendrila Goswami April 18, 2022
![Unplugging [2022] Review: A Relatable Comedy about Digital Detox that Shines Through All Odds](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/04/Unplugging-Movie-Review-1-768x311.png)
![Death on the Nile [2022] Review: A Luhrmanesque Interpretation of the Source Material](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/04/Death-on-the-Nile-2022-768x434.webp)
![I’ll Show You Mine [2022] ‘SIFF’ Review – A clear-eyed, radically frank look into sexual exploration and trauma](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/04/Ill-Show-You-Mine-Movie-Review-3-768x384.jpg)
![KGF Chapter 2 [2022] Review – Prashanth Neel Goes For Broke To Mark Rocking Star Yash’s Return As Rocky](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/04/KGF-768x432.jpeg)
![Room 203 [2022] Review: A Gripping Tale that Ebbs and Flows between being a Teenage Drama and a Thrilling Horror Movie](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/04/ROOM_203-1-768x341.jpg)
![Implanted [2022] Review – A shallow A.I-gone-wrong thriller](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/04/Implanted-Movie-Review-1-768x322.jpg)
![Adieu Godard [2022] Review: An Idiosyncratic Homage](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/04/Adieu-Godard-2022-768x432.webp)
![The Lost City [2022] Review – Sandra Bullock & Channing Tatum cannot save this stale, humorless romp](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/04/The-Lost-City-Movie-Review-1-768x384.webp)
High On Films
