Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 19, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 17, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · ReviewDie My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on FireOctober 20, 2025 Hayyan Khawaja
Featured · ReviewThe Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative InsertsOctober 20, 2025 Liam Gaughan
Featured · ReviewThe Summer Book (2025) Movie Review: Quiet Islands, Lingering Absence, and the Gift of StillnessOctober 20, 2025 Bipasha Bhattacharyya
Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire
The Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative Inserts
How to Shoot a Ghost (2025) Short Film Review: A Tender Humanist Exploration of the Anxieties of Boundless Rejection
Netflix · Review · TV Eternally Confused and Eager for Love (Season 1) Review: A breezy series that rides on the wave of charm and relatability Akash Deshpande March 20, 2022
Prime Video · Review · Streaming Now Deep Water (2022) Prime Video Review: A Psychological Thriller That Sinks Under the Weight of Faulty Expectations Aqsa Aleem March 15, 2024
Prime Video · Review Jalsa [2022] Review: A Well-Made Gripping Drama, Steering Out Of Control By The End Ahendrila Goswami March 30, 2022
Review Bloody Oranges [2022] Review – An acidic, heavy-handed showdown from Jean-Christophe Meurisse Santanu Das March 17, 2022
Films This Week · Review Parallel Mothers (2021) Review: A Riveting Melodrama That Looks Inwards Upon the Horrors of the Past Aryan Vyas March 16, 2022
Film Festivals · Review · SXSW The Unknown Country [2022] ‘SXSW’ Review: A Roadtrip across People and their Anecdotes in the Search of Meaning Ashwani Kumar March 17, 2022
Film Festivals · Review · SXSW It Is In Us All [2022] ‘SXSW’ Review – A Beautifully Shot Assiduous Thriller Suvo Pyne March 16, 2022
Film Festivals · Review · SXSW Linoleum [2022]: ‘SXSW’ Review – Jim Gaffigan, Rhea Seehorn Led Sci-Fi Film Is A Beautiful Looking Headscratcher Pramit Chatterjee March 15, 2022
Film Festivals · Review · SXSW Spin Me Round [2022] ‘SXSW’ Review: Alison Brie Finds Love And A Sinister Plot In This Comedy Mystery Pramit Chatterjee March 15, 2022
![Jalsa [2022] Review: A Well-Made Gripping Drama, Steering Out Of Control By The End](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Jalsa-2-768x384.jpg)
![Bloody Oranges [2022] Review – An acidic, heavy-handed showdown from Jean-Christophe Meurisse](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Bloody-Oranges-2-768x384.jpg)
![The Unknown Country [2022] ‘SXSW’ Review: A Roadtrip across People and their Anecdotes in the Search of Meaning](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/The-Unknown-Country-768x432.jpg)
![It Is In Us All [2022] ‘SXSW’ Review – A Beautifully Shot Assiduous Thriller](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/It-Is-In-Us-All-2022-768x432.jpg)
![Linoleum [2022]: ‘SXSW’ Review – Jim Gaffigan, Rhea Seehorn Led Sci-Fi Film Is A Beautiful Looking Headscratcher](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Linoleum-1-768x432.jpg)
![Spin Me Round [2022] ‘SXSW’ Review: Alison Brie Finds Love And A Sinister Plot In This Comedy Mystery](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Spin-Me-Round-1-768x432.jpg)
High On Films
