Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 19, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 17, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
ReviewLuderdale (2025) Movie Review: A bland crime thriller that messes up its own inconsistent design October 22, 2025 Shikhar Verma
BFI London Film Festival · Featured · Film Festivals · ReviewDie My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on FireOctober 20, 2025 Hayyan Khawaja
Featured · ReviewThe Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative InsertsOctober 20, 2025 Liam Gaughan
Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire
The Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative Inserts
Film Festivals · Review · SXSW Spin Me Round [2022] ‘SXSW’ Review: Alison Brie Finds Love And A Sinister Plot In This Comedy Mystery Pramit Chatterjee March 15, 2022
Film Festivals · Review Belle Vie [2022]: ‘SBIFF’ Review – A charming snapshot of a restaurateur’s resilient efforts to stay afloat Shikhar Verma March 16, 2022
Film Festivals · Review · SXSW Halo (Season 1) ‘SXSW’ Review: A Beacon Of Hope For Live-Action Adaptations Of Video Games Pramit Chatterjee March 15, 2022
Film Festivals · Review · SXSW The Locust (2022): ‘SXSW’ Review – A movie about the love of the art and its creators Amartya Acharya March 14, 2022
Review Sundarbaner Vidyasagar [2022] Review – Interesting premise and plot makes this show a different one from the usual thriller oeuvre Amartya Acharya March 14, 2022
Film Festivals · Review · SXSW WeCrashed [2022] SXSW Review – Strong Tommy Wiseau Energy from this one Amartya Acharya March 14, 2022
Film Festivals · Review · SXSW Soft & Quiet [2022]: ‘SXSW’ Review – A Deeply Disturbing Horror Film On Violent Acts Of Racism Pramit Chatterjee March 14, 2022
Film Festivals · Review · SXSW Sissy [2022]: ‘SXSW’ Review – A Luscious And Brutal Horror Comedy Packed With Brilliant Performances Pramit Chatterjee March 13, 2022
Film Festivals · Review · SXSW Deadstream [2022]: ‘SXSW’ Review – Evil Dead for the Twitch and Youtube Livestreaming generation Amartya Acharya March 13, 2022
![Spin Me Round [2022] ‘SXSW’ Review: Alison Brie Finds Love And A Sinister Plot In This Comedy Mystery](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Spin-Me-Round-1-768x432.jpg)
![Belle Vie [2022]: ‘SBIFF’ Review – A charming snapshot of a restaurateur’s resilient efforts to stay afloat](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Belle-Vie-3-768x431.jpg)
![Sundarbaner Vidyasagar [2022] Review – Interesting premise and plot makes this show a different one from the usual thriller oeuvre](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Sundarbaner-Vidyasagar-768x427.jpg)
![WeCrashed [2022] SXSW Review – Strong Tommy Wiseau Energy from this one](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/ATV_WeCrashed_Photo_010104-768x512.jpg)
![Soft & Quiet [2022]: ‘SXSW’ Review – A Deeply Disturbing Horror Film On Violent Acts Of Racism](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Soft-and-Quiet-1-768x432.jpeg)
![Sissy [2022]: ‘SXSW’ Review – A Luscious And Brutal Horror Comedy Packed With Brilliant Performances](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Sissy-1-768x403.jpg)
![Deadstream [2022]: ‘SXSW’ Review – Evil Dead for the Twitch and Youtube Livestreaming generation](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Deadstream-768x432.jpeg)
High On Films
