Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 19, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 17, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
ReviewLuderdale (2025) Movie Review: A bland crime thriller that messes up its own inconsistent design October 22, 2025 Shikhar Verma
BFI London Film Festival · Featured · Film Festivals · ReviewDie My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on FireOctober 20, 2025 Hayyan Khawaja
Featured · ReviewThe Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative InsertsOctober 20, 2025 Liam Gaughan
Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire
The Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative Inserts
Film Festivals · Review · SXSW The Pez Outlaw [2022] ‘SXSW’ Review – An Outlandish Story Told In An Imaginative And Empathetic Way Pramit Chatterjee March 13, 2022
Film Festivals · Review · SXSW To Leslie [2022]: ‘SXSW’ Review – An excellent Andrea Riseborough performance propels this familiar redemption story Shikhar Verma March 8, 2022
Disney+ · Review Turning Red [2022] Review: Pixar’s Hopeful Take on Constant Changes of Life is Positively Giddy Suvo Pyne March 12, 2022
Film Festivals · MAMI · Review The Daughter [2022] ‘MAMI’ Review: A Chilling, Powerful Portrait of Death and Closure in Modern Socio-political landscape Shashwat Sisodiya March 16, 2022
Review · VOD The Shepherdess and The Seven Songs [2022] Review: A Slow-Burn, Feminist Take on Nomadic Life in Kashmir Raktim Nandi March 14, 2022
Disney+ · Films This Week · Review · Streaming Now Super Sharanya (2022) Zee5 Review: Entertainment for The Sake of Entertainment Akash Deshpande March 12, 2022
Review · VOD Moon Manor [2022] Review- All heart, notwithstanding some amateurish patches Debanjan Dhar March 12, 2022
Disney+ · Review · Streaming Now Maaran [2022]: ‘Hotstar’ Review – Maddeningly Horrible! Arun Kumar March 12, 2022
Review Scream [2022] Review: For Fans of Originals Who Dream of Sequels in the Same Vein Reubyn Coutinho March 11, 2022
![The Pez Outlaw [2022] ‘SXSW’ Review – An Outlandish Story Told In An Imaginative And Empathetic Way](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/The-Pez-Outlaw-2022-SXSW-768x433.jpeg)
![To Leslie [2022]: ‘SXSW’ Review – An excellent Andrea Riseborough performance propels this familiar redemption story](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/To-Leslie-1-768x432.jpg)
![Turning Red [2022] Review: Pixar’s Hopeful Take on Constant Changes of Life is Positively Giddy](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Turning-Red-2-768x432.jpg)
![The Daughter [2022] ‘MAMI’ Review: A Chilling, Powerful Portrait of Death and Closure in Modern Socio-political landscape](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/The-Daughter-3-768x324.png)
![The Shepherdess and The Seven Songs [2022] Review: A Slow-Burn, Feminist Take on Nomadic Life in Kashmir](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/The-Shepherdess-and-The-Seven-Songs_hof-768x432.jpg)
![Moon Manor [2022] Review- All heart, notwithstanding some amateurish patches](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Moon-Manor-1-768x426.png)
![Maaran [2022]: ‘Hotstar’ Review – Maddeningly Horrible!](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Maaran_-768x512.jpg)
![Scream [2022] Review: For Fans of Originals Who Dream of Sequels in the Same Vein](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/03/Scream-2022-768x432.webp)
High On Films
