Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Dear Stranger (2025) ‘BIFF’ Movie Review: A Layered Portrait of Marital Discontent, Fragile Masculinity, and Bourgeois Anxieties Akash Deshpande September 18, 2025September 18, 2025
Featured · Film Festivals · Review · TIFF In Search of the Sky (Vimukt, 2025) ‘TIFF’ Movie Review: Blue Horizons of Hope and Exclusion Bipasha Bhattacharyya September 16, 2025September 17, 2025
Film Festivals · Review · TIFF Under the Same Sun (Bajo el bismo sol, 2025) ‘TIFF’ Movie Review: Ulises Porra’s Sobering Humane Survival Drama Features Lived-in Performances but Lacks Bite Akash Deshpande September 12, 2025September 13, 2025
Featured · Film Festivals · Review · TIFF The Fence (2025) ‘TIFF’ Movie Review: Another Muted Examination of Neocolonial Neglect from Claire Denis Julian Malandruccolo September 12, 2025September 12, 2025
Featured · Film Festivals · Review · Venice Film Festival The Stranger (L’Étranger, 2025) ‘Venice Film Festival’ Movie Review: Adaptation of Camus Classic is Beautiful, Understated Ordeal BJ Thoray September 11, 2025September 12, 2025
Film Festivals · Review · Venice Film Festival Rose of Nevada (2025) ‘Venice Film Festival’ Movie Review: Mark Jenkin’s Trippy, Bittersweet Return to Cornwall BJ Thoray September 11, 2025September 12, 2025
Featured · Film Festivals · ReviewDear Stranger (2025) ‘BIFF’ Movie Review: A Layered Portrait of Marital Discontent, Fragile Masculinity, and Bourgeois AnxietiesSeptember 18, 2025 Akash Deshpande
Featured · ReviewOne Battle After Another (2025) Movie Review: An Exhilarating Neo-Western Chase Through A Fractured AmericaSeptember 17, 2025 Liam Gaughan
Featured · ReviewA Big Bold Beautiful Journey (2025) Movie Review: Kogonada’s Beautiful Visuals Can’t Save This Misguided Charlie Kaufman PasticheSeptember 17, 2025 Liam Gaughan
Dear Stranger (2025) ‘BIFF’ Movie Review: A Layered Portrait of Marital Discontent, Fragile Masculinity, and Bourgeois Anxieties
One Battle After Another (2025) Movie Review: An Exhilarating Neo-Western Chase Through A Fractured America
A Big Bold Beautiful Journey (2025) Movie Review: Kogonada’s Beautiful Visuals Can’t Save This Misguided Charlie Kaufman Pastiche
Netflix · Review Neymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect Disappointment Reubyn Coutinho January 29, 2022
Film Festivals · Review · Slamdance We are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienation Amartya Acharya January 29, 2022
Film Festivals · Review · Slamdance Therapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feeble Debanjan Dhar July 14, 2023
Film Festivals · Review · Slamdance Be Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturing Debanjan Dhar November 10, 2022
Film Festivals · Review · Sundance Dual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killer Shikhar Verma January 28, 2022
Film Festivals · Review · Sundance Sundance 2022: “Nanny,” “Emily the Criminal,” & “Honk for Jesus Save Your Soul” High on Films January 28, 2022
Film Festivals · Review · Sundance The Mission [2022] ‘Sundance’ Review – A Rewarding and Empathetic Study of Young Mormons Arun Kumar January 28, 2022
Film Festivals · Review · Slamdance The Severing [2022]: ‘Slamdance’ Review – Calisthenics that careen into tedium Debanjan Dhar January 27, 2022
Film Festivals · Review · Slamdance Ultrainocencia [2022]: ‘Slamdance’ Review – A Quirky and Imperfect Mix of Performance Arts and Cinema Ahendrila Goswami January 27, 2022
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High On Films
