Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 24, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 24, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 24, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
ReviewHalloween Special — How The Crow (1994) Dared To Do Things DifferentlyOctober 25, 2025 Tom Higginson
Review · Streaming Now · TubiIntruder (2025) Movie Review: A campy sci-fi yarn that doesn’t use its B-movie shenanigans to its fullestOctober 24, 2025 Shikhar Verma
Featured · ReviewMagellan (Magalhães, 2025) Movie Review: A Searing Yet Exhausting Catalogue of Anti-Colonialist SentimentsOctober 24, 2025 Liam Gaughan
Intruder (2025) Movie Review: A campy sci-fi yarn that doesn’t use its B-movie shenanigans to its fullest
Magellan (Magalhães, 2025) Movie Review: A Searing Yet Exhausting Catalogue of Anti-Colonialist Sentiments
Film Festivals · Review Kandis for Life [2021] ‘GFF’ Review – A Captivating Documentary on a Fan Culture Arun Kumar February 1, 2022
Netflix · Review · Streaming Now · TV The Woman in the House Across the Street from the Girl in the Window [2022] ‘Netflix’ Review: It Goes Downhill Rapidly Reubyn Coutinho January 31, 2022
Film Festivals · Review · Rotterdam Hawk’s Muffin [2022]: ‘IFFR’ Review – A Metaphor for Perpetual Human Conflict Enveloped in Dystopian Science-Fiction Ashwani Kumar February 16, 2024
Review · VOD La Soga Salvation [2022] Review: A Confusing Film, Violent for No Good Reason Ahendrila Goswami January 30, 2022
Film Festivals · Review · Slamdance Hannah Ha Ha [2022]: ‘Slamdance’ Review : A quietly observant film on living off the grid never really takes off Santanu Das February 7, 2022
Netflix · Review Neymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect Disappointment Reubyn Coutinho January 29, 2022
Film Festivals · Review · Slamdance We are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienation Amartya Acharya January 29, 2022
Film Festivals · Review · Slamdance Therapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feeble Debanjan Dhar July 14, 2023
Film Festivals · Review · Slamdance Be Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturing Debanjan Dhar November 10, 2022
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![The Woman in the House Across the Street from the Girl in the Window [2022] ‘Netflix’ Review: It Goes Downhill Rapidly](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/01/The-Woman-in-the-House-Across-the-Street-from-the-Girl-in-the-Window-768x432.jpg)
![Hawk’s Muffin [2022]: ‘IFFR’ Review – A Metaphor for Perpetual Human Conflict Enveloped in Dystopian Science-Fiction](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/01/Hawks-Muffin-Still-9-768x432.jpg)
![La Soga Salvation [2022] Review: A Confusing Film, Violent for No Good Reason](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/01/La-Soga-Salvation-1-768x434.png)
![Hannah Ha Ha [2022]: ‘Slamdance’ Review : A quietly observant film on living off the grid never really takes off](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/01/Hannah-Ha-Ha-Slamdance-2-768x432.jpg)
![Neymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect Disappointment](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/01/Neymar-The-Perfect-Chaos-2022-768x432.jpg)
![We are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienation](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/01/We-Are-Living-Things-Slamdance-768x432.jpg)
![Therapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feeble](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/01/Therapy-Dogs-2022-768x432.jpg)
![Be Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturing](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/01/Be-Right-Back-768x432.jpeg)
High On Films
