Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 24, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 24, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 24, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
Featured · ReviewDead Man’s Wire (2025) Movie Review: A Familiar Yet Nailbiting Throwback ‘70s Crime ThrillersOctober 27, 2025 Liam Gaughan
Featured · ReviewNirvanna the Band the Show the Movie (2025) Movie Review: A Madcap, Meta Mockumentary Of Unprecedented HilarityOctober 27, 2025 Liam Gaughan
Featured · ReviewResurrection (Kuangye shidai, 2025) Movie Review: A Dizzying, Bravura Escapade Into Cinematic HistoryOctober 27, 2025 Liam Gaughan
Nirvanna the Band the Show the Movie (2025) Movie Review: A Madcap, Meta Mockumentary Of Unprecedented Hilarity
Resurrection (Kuangye shidai, 2025) Movie Review: A Dizzying, Bravura Escapade Into Cinematic History
Film Festivals · Review · Slamdance We are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienation Amartya Acharya January 29, 2022
Film Festivals · Review · Slamdance Therapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feeble Debanjan Dhar July 14, 2023
Film Festivals · Review · Slamdance Be Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturing Debanjan Dhar November 10, 2022
Film Festivals · Review · Sundance Dual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killer Shikhar Verma January 28, 2022
Film Festivals · Review · Sundance Sundance 2022: “Nanny,” “Emily the Criminal,” & “Honk for Jesus Save Your Soul” High on Films January 28, 2022
Film Festivals · Review · Sundance The Mission [2022] ‘Sundance’ Review – A Rewarding and Empathetic Study of Young Mormons Arun Kumar January 28, 2022
Film Festivals · Review · Slamdance The Severing [2022]: ‘Slamdance’ Review – Calisthenics that careen into tedium Debanjan Dhar January 27, 2022
Film Festivals · Review · Slamdance Ultrainocencia [2022]: ‘Slamdance’ Review – A Quirky and Imperfect Mix of Performance Arts and Cinema Ahendrila Goswami January 27, 2022