Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 24, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 24, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 24, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
Featured · ReviewDead Man’s Wire (2025) Movie Review: A Familiar Yet Nailbiting Throwback ‘70s Crime ThrillersOctober 27, 2025 Liam Gaughan
Featured · ReviewNirvanna the Band the Show the Movie (2025) Movie Review: A Madcap, Meta Mockumentary Of Unprecedented HilarityOctober 27, 2025 Liam Gaughan
Featured · ReviewResurrection (Kuangye shidai, 2025) Movie Review: A Dizzying, Bravura Escapade Into Cinematic HistoryOctober 27, 2025 Liam Gaughan
Nirvanna the Band the Show the Movie (2025) Movie Review: A Madcap, Meta Mockumentary Of Unprecedented Hilarity
Resurrection (Kuangye shidai, 2025) Movie Review: A Dizzying, Bravura Escapade Into Cinematic History
Film Festivals · Review · Sundance Descendant [2022]: ‘Sundance’ Review – Reclamation of identity by rediscovery of history as a tangible construct Amartya Acharya January 27, 2022
Film Festivals · Review · Sundance Sundance 2022: “Babysitter,” “Cha Cha Real Smooth,” & “Something in the Dirt” Pramit Chatterjee January 26, 2022
Film Festivals · Review · Sundance Sundance 2022: “Klondike,” “Alice” & “Master” Shashwat Sisodiya January 25, 2022
Review The Killer (1989): Moralistic Boundaries Broken Down By Chivalric Bond Raktim Nandi January 25, 2022
Film Festivals · Review · Sundance Girl Picture [2022]: ‘Sundance’ Review – A radical albeit slight tale about sexuality, identity & growing up Shikhar Verma January 17, 2022
Film Festivals · Review · Sundance I Didn’t See You There [2022]: ‘Sundance’ Review – POV: To Be Stared At And Not Be Seen Ashwani Kumar January 27, 2022
Film Festivals · Review · Sundance Maika [2022] ‘Sundance’ Review: Vietnamese child fantasy feature works in stretches Santanu Das January 24, 2022
Film Festivals · Review · Sundance Brian and Charles [2022]: ‘Sundance’ Review – A feel-good, uber-cute robot comedy about companionship Shikhar Verma January 25, 2022
Film Festivals · Review · Sundance Sundance 2022: “Dual,” “All That Breathes,” & “Resurrection” High on Films January 23, 2022