Featured · Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma August 7, 2025
Featured · Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma July 31, 2025
Films This Week · Review Saiyaara (2025) Movie Review: A Somewhat Sincere Love Ballad Peppered With Familiar Mohit Suri-Isms Shikhar Verma July 24, 2025
Fantasia · Featured · Film Festivals · Review Foreigner (2025) ‘Fantasia’ Movie Review: A Slight Genre Affair that Feels Like a Cross Between ‘Mean Girls’ and ‘Get Out’ Akash Deshpande August 1, 2025July 29, 2025
Fantasia · Featured · Film Festivals · Review Sham (2025) ‘Fantasia’ Movie Review: Takashi Miike’s Rashomon-Riff-Turned-Witch-Hunt Struggles To Make Its Case In Court Julian Malandruccolo July 31, 2025July 31, 2025
Featured · Film Festivals · Review Outcry (Bidad, 2025) ‘Karlovy Vary’ Movie Review: Iranian Dissident Drama Rings Out Loud Debanjan Dhar July 30, 2025July 30, 2025
Featured · Film Festivals · Review Better Go Mad In The Wild (2025) ‘Karlovy Vary’ Movie Review: Miro Remo’s Stunningly Hybrid Doc On Czech Twins Mines Magic In The Mundane Debanjan Dhar July 29, 2025July 29, 2025
Fantasia · Film Festivals · Review Anything That Moves (2025) ‘Fantasia’ Movie Review: Alex Phillips’ Erotic Thriller Zigzags Pointlessly Sans Any Edge Debanjan Dhar July 28, 2025July 30, 2025
Fantasia · Featured · Film Festivals · Review Hellcat (2025) ‘Fantasia’ Movie Review: A Sharply Directed Road Movie that could’ve Used Better Horror Writing Shashwat Sisodiya July 26, 2025July 26, 2025
Featured · ReviewWeapons (2025) Movie Review: A Sharp, Twisted Attack On Isolation and IgnoranceAugust 7, 2025 Liam Gaughan
Featured · ReviewThe Home (2025) Movie Review: Pete Davidson Takes on The Final Girl Archetype August 6, 2025 Aja Haymore
Featured · ReviewTo Kill a Wolf (2024) Movie Review: A Gloomy and Gentle Ode to Quiet ResilienceAugust 4, 2025 Akash Deshpande
Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story
Film Festivals · Review · Slamdance Under the Burning Sun (2025) ‘Slamdance’ Movie Review: An urgent but listless look at bodily autonomy Shikhar Verma March 2, 2025
Berlinale · Film Festivals · Review The Moelln Letters (2025) ‘Berlinale’ Review: Martina Priessner’s Documentary Puts an Imperative Demand for Remembrance Debanjan Dhar March 2, 2025
Review Swargarath (2024) Movie Review: A Humble Satire within a Modestly Enjoyable Entertainer Kalpa Jyoti Bhuyan March 2, 2025
Review The Tiger and the Snow (2005) Movie Review: Benigni’s Poem of Love Amidst War Abdalah Tarek Omar February 24, 2025
Review You Only Live Twice (1967) Movie Review: A Spectacular but Strained Bond Adventure Joshua Baker February 24, 2025
Review The Last Showgirl (2024) Movie Review: A Star Reborn or a Fading Light? Ajay Rahul Raja March 2, 2025
Berlinale · Film Festivals · Review Village Rockstars 2 (2024) ‘Berlinale’ Movie Review: Heart of Nature and Weight of Life Finds Focus in Rima Das’s Sequel Which Bridges Art and Activism Kalpa Jyoti Bhuyan March 2, 2025
Berlinale · Film Festivals · Review Dreams (2025) ‘Berlinale’ Movie Review: What Money Can and Cannot Buy: The Illusion of Control in Michel Franco’s Dreams Shubham Sharma February 23, 2025
Review Reading Lolita in Tehran (2024) Movie Review: A Cinematic Dissonance Between Feminist Gaze and Western Narrative MS Murali Krishna March 2, 2025
High On Films
