Films This Week · Review Good Bad Ugly (2025) Movie Review: A Textbook of Easter Eggs and Exhaustion Ajay Rahul Raja April 15, 2025
Films This Week · Review The Amateur (2025) Movie Review: Revenge As a Dish Best-Served Lukewarm Julian Malandruccolo April 15, 2025
Films This Week · Review Drop (2025) Movie Review: Timely Tech Thrills Trembling Under Thematic Tension Julian Malandruccolo April 15, 2025
Cannes · Featured · Film Festivals · Review Dangerous Animals (2025) ‘Cannes’ Movie Review: A Wildly Entertaining Stripped-to-the-Bone Slasher Ollie Wheaton June 9, 2025June 9, 2025
Featured · Film Festivals · Review · Tribeca A Second Life (2025) ‘Tribeca’ Movie Review: Agathe Rousselle anchors minimalist take on disconnection Debanjan Dhar June 9, 2025
Featured · Film Festivals · Review · Tribeca The Wolf, the Fox and the Leopard (2025) ‘Tribeca’ Movie Review: An Ambitious and Impeccably Shot Dystopian Fairy Tale that Struggles to Deepen its Allegory Akash Deshpande June 9, 2025June 9, 2025
Featured · Film Festivals · Review · Tribeca Lemonade Blessing (2025) ‘Tribeca’ Movie Review: A Quirky Coming-of-Age Film about Living Under the Overwhelming Burden of Endless Expectations Akash Deshpande June 9, 2025June 9, 2025
Featured · Film Festivals · Review · Tribeca Honeyjoon (2025) ‘Tribeca’ Movie Review: An Intricate Mother-Daughter Dramedy about Bridging the Gap Between the Past and the Future Akash Deshpande June 8, 2025June 8, 2025
Featured · Film Festivals · Review · Tribeca Inside (2025) ‘Tribeca’ Movie Review: An Unflinching, Hard-Boiled Account of the Making and Unmaking of a Man Akash Deshpande June 8, 2025June 8, 2025
Featured · ReviewTatami (2025) Movie Review: Zar Amir Ebrahimi’s Political Sports Drama Bristles with FuryJune 10, 2025 Debanjan Dhar
Cannes · Featured · Film Festivals · ReviewDangerous Animals (2025) ‘Cannes’ Movie Review: A Wildly Entertaining Stripped-to-the-Bone Slasher June 9, 2025 Ollie Wheaton
Featured · Film Festivals · Review · TribecaA Second Life (2025) ‘Tribeca’ Movie Review: Agathe Rousselle anchors minimalist take on disconnectionJune 9, 2025 Debanjan Dhar
A Second Life (2025) ‘Tribeca’ Movie Review: Agathe Rousselle anchors minimalist take on disconnection
Review We Live in Time (2024) Movie Review: A Romantic Drama that Builds Rich Context out of its Artistic Flourishes and Magnificent Performances Aryan Vyas March 2, 2025
Review Conclave (2024) Movie Review: Edward Berger’s Crisis of Tone Translates Well Into a Crisis of Faith Julian Malandruccolo March 2, 2025
Film Festivals · Review Eternal Visionary (Eterno visionario, 2024) ‘Rome Film Festival’ Movie Review: Pirandello Biopic is Occasionally Forceful and Half-Cohesive Debanjan Dhar March 2, 2025
Film Festivals · MAMI · Review Pooja, Sir (2024) ‘MAMI’ Movie Review: An Efficient Police Procedural that Works Better as a Sociopolitical Commentary Amartya Acharya March 2, 2025
Review The Convert (2023) Movie Review: Exploring The Complexities of Faith and Power Shinji Alizeh Majumder October 27, 2024
Netflix · Review · Streaming Now Woman of the Hour (2024) Movie Review: A Taut Thriller that Serves as an Examination of Sexism and Misogyny in the 1970s Amartya Acharya October 20, 2024
Film Festivals · Review Joy (2024) ‘BFI-LFF’ Movie Review: The Trauma of Infertility and Defiance of Three Tireless British Heroes Made Digestible for Mainstream Audiences Georgia May March 2, 2025
Film Festivals · MAMI · Review Good One (2024) ‘MAMI’ Movie Review: A Deeply Observant Film that Explores Irreverence, Ignorance, and Independence Akash Deshpande March 2, 2025
Netflix · Review · Streaming Now Outside (2024) ‘Netflix’ Movie Review: A Visually Rich and Differently Horrific Zombie Tale Suvo Pyne March 2, 2025
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