Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 9, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 29, 2025
ReviewNo Pictures With My Father (2025) Documentary Review: A personal essay that recounts estrangement and reconnection with surface-level precision November 9, 2025 Shikhar Verma
Featured · ReviewSmall Time Crooks (2000) Movie Review: Cookies, Class, and the Price of Wanting More November 9, 2025 Bipasha Bhattacharyya
Featured · Film Festivals · ReviewA Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French IconNovember 9, 2025 Julian Malandruccolo
No Pictures With My Father (2025) Documentary Review: A personal essay that recounts estrangement and reconnection with surface-level precision
A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon
Hulu · Review · Streaming Now Nightbitch (2024) Movie Review: Compelling Amy Adams Performance Is Overshadowed By Underdeveloped Black Comedy Liam Gaughan March 2, 2025
Films This Week · Review Viduthalai: Part 2 (2024) Movie Review: The Revolution Is Being Televised – Resistance In The Era Of Luigi Mangione Quiz March 2, 2025
Review Vermiglio (2024) Movie Review: Beautiful Family Drama Examines Tradition and Domesticity Liam Gaughan March 2, 2025
Review Babygirl (2024) Movie Review: Nicole Kidman Dominates in a Submissive Role of Tortured Desire Julian Malandruccolo March 2, 2025
Films This Week · Review A Complete Unknown (2024) Movie Review: A Prosaic Middle-of-the-Road Biopic of a Man Who Protested Being Stuck in One Place Aryan Vyas March 2, 2025
Films This Week · Review Nosferatu (2024) Movie Review: A Reverential Remake Relegated to the Shadows Julian Malandruccolo March 2, 2025
Review Humans in the Loop (2024) Movie Review: Introspecting the Narrative of Social Learning Aswin V March 2, 2025
Review Good Side of Bad (2024) Movie Review: A Vulnerable, Heartbreaking Adaptation Debopriyaa Dutta March 2, 2025
Review King Saud (2024) Movie Review: A haphazardly staged B-movie that doesn’t even qualify as ‘so bad that it’s good’ Shikhar Verma December 23, 2024
High On Films
