Featured · Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma August 7, 2025
Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma August 13, 2025
Films This Week · Review Saiyaara (2025) Movie Review: A Somewhat Sincere Love Ballad Peppered With Familiar Mohit Suri-Isms Shikhar Verma July 24, 2025
Featured · Film Festivals · Locarno · Review Hair, Paper, Water… (Tóc, Giáy Và Nuóc, 2025) ‘Locarno’ Movie Review: Wondrously Porous Distillation of Language-Memory Debanjan Dhar August 14, 2025August 15, 2025
Featured · Film Festivals · Locarno · Review The Fin (2025) ‘Locarno’ Movie Review: Investigating the Nature of Devotion, Indoctrination, and Survival Through a Dystopian Mirror Akash Deshpande August 14, 2025August 14, 2025
Featured · Film Festivals · Locarno · Review Desire Lines (Linije zelje, 2025) ‘Locarno’ Movie Review: Dane Komljen Conjures an Enchanted Osmosis of Borderless-ness Debanjan Dhar August 12, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Solomamma (2025) ‘Locarno’ Movie Review: Lisa Loven Kongsli and Herbert Nordrum Make a Winsome Duo in Richly Conflicting Maternal Drama Debanjan Dhar August 11, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Legend of the Happy Worker (2025) ‘Locarno’ Movie Review: A Preachy, Mawkish, and Inconsistent Fable that Feels Like a Misfire Akash Deshpande August 9, 2025August 9, 2025
Featured · Film Festivals · Locarno · Review God Will Not Help (2025) ‘Locarno’ Movie Review: Bristling Study of Gendered Power Thrives in Gaps Debanjan Dhar August 9, 2025August 14, 2025
Featured · Netflix · Review · Streaming NowNight Always Comes (2025) Movie Review: A Well-Acted, But Inauthentic Urban ThrillerAugust 16, 2025 Liam Gaughan
Featured · ReviewThe Ice Tower (La tour de glace, 2025) Movie Review: An Achingly Beautiful Modern Fairy TaleAugust 16, 2025 Liam Gaughan
Featured · ReviewNobody 2 (2025) Movie Review: The Midlife Crisis John Wick Returns, and This Time, He Just Wants a BreakAugust 16, 2025 Ollie Wheaton
Nobody 2 (2025) Movie Review: The Midlife Crisis John Wick Returns, and This Time, He Just Wants a Break
Netflix · Review · Streaming Now Daughters (2024) ‘Netflix’ Documentary Review: A Heartrending Documentary Where Even Moments of Joy Evoke a Deep Sense of Despair Akash Deshpande March 2, 2025
Review Stree 2 (2024) Movie Review: A Fun but Massively Ambitious Endeavor Burdened by the Building of the Overarching Cinematic Universe Amartya Acharya March 2, 2025
Review Close to You (2024) Movie Review: Elliot Page’s Searing, Emotionally Honest Performance Elevates Middling Homecoming Drama Debanjan Dhar March 2, 2025
Film Festivals · Locarno · Review When the Phone Rang (Kada je zazvonio telefon, 2024) ‘Locarno’ Movie Review: The Domino Effect of Memory Triggered by a Sensory Stimulus Produces a Somewhat Obtuse Documentation Amartya Acharya March 2, 2025
Film Festivals · Locarno · Review Weightless (Sulla terra leggeri, 2024) ‘Locarno’ Movie Review: Compelling Drama Buries Deep into Memory and Loss Debanjan Dhar March 2, 2025
Film Festivals · Review Shambhala (2024) ‘MIFF’ Movie Review: Min Bahadur Bham’s Ravishing, Calmly Centered Nepalese Odyssey Sways Between the Mundane and the Otherworldly Debanjan Dhar March 2, 2025
Review Consumed (2024) Movie Review: An Interesting Devon Sawa Performance and a Surrealist Third Act Can’t Save This Horror Movie from Feeling Like a Slog Amartya Acharya March 2, 2025
Film Festivals · Locarno · Review The Flood (Le Déluge, 2024) ‘Locarno’ Movie Review: The Court Diary of A Collapsed Monarchy Beatrice Gangi March 2, 2025
Film Festivals · Locarno · Review Invention (2024) ‘Locarno’ Movie Review: The Docufiction is Emotionally Devastating When It Is Focused on the Process of Grief Through Filmmaking Amartya Acharya March 2, 2025
High On Films
