Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
Featured · Film Festivals · Review · TIFF Karmadonna (2025) ‘TIFF’ Movie Review: The Writer of ‘A Serbian Film’ Returns with a Bombastic Celebration of Hedonistic Excess Nikola Jovic October 8, 2025October 9, 2025
Featured · Film Festivals · NYFF · Review Jay Kelly (2025) ‘NYFF’ Movie Review: The Mirror Cracks in Hollywood’s Face – Noah Baumbach’s Latest is about the Fragility of Fame Aryan Vyas October 5, 2025October 10, 2025
BFI London Film Festival · Featured · Film Festivals · Review DJ Ahmet (2025) ‘BFI London Film Festival’ Movie Review: This North Macedonian Coming-of-Age Comedy is a Barrel of Laughs Jordon Searle October 3, 2025October 7, 2025
Featured · Film Festivals · NYFF · Review Nouvelle Vague (2025) ‘NYFF’ Movie Review: A Playful, Irreverent Hangout Film Aimed At Cinephiles Liam Gaughan October 2, 2025October 3, 2025
Featured · Film Festivals · ReviewPillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming TendernessOctober 12, 2025 Julian Malandruccolo
Featured · ReviewIs This Thing On? (2025) Movie Review: A Rarely Insightful Film about Comedy Solidifies Bradley Cooper as a Great DirectorOctober 12, 2025 Liam Gaughan
Featured · Netflix · Review · Streaming NowThe Woman in Cabin 10 (2025) Movie Review: A By-the-Numbers, Suitably Twisty Agatha Christie PasticheOctober 11, 2025 Liam Gaughan
Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness
Is This Thing On? (2025) Movie Review: A Rarely Insightful Film about Comedy Solidifies Bradley Cooper as a Great Director
The Woman in Cabin 10 (2025) Movie Review: A By-the-Numbers, Suitably Twisty Agatha Christie Pastiche
Film Festivals · Review Maria (2024) ‘Philadelphia Film Festival’ Movie Review: Angelina Jolie Gives Career Best Performance in Immersive Musician Biopic Liam Gaughan March 2, 2025
Film Festivals · Review September 5 (2024) ‘Philadelphia Film Festival’ Movie Review: A Claustrophobic Historical Thriller Spotlights Groundbreaking Journalism Liam Gaughan March 2, 2025
Review The Peasants (2023) Movie Review: A Captivating Portrait In Motion Of A Young Girl Victim To Destructive Traditionalism Edgar Batres March 2, 2025
Review We Live in Time (2024) Movie Review: A Romantic Drama that Builds Rich Context out of its Artistic Flourishes and Magnificent Performances Aryan Vyas March 2, 2025
Review Conclave (2024) Movie Review: Edward Berger’s Crisis of Tone Translates Well Into a Crisis of Faith Julian Malandruccolo March 2, 2025
Film Festivals · Review Eternal Visionary (Eterno visionario, 2024) ‘Rome Film Festival’ Movie Review: Pirandello Biopic is Occasionally Forceful and Half-Cohesive Debanjan Dhar March 2, 2025
Film Festivals · MAMI · Review Pooja, Sir (2024) ‘MAMI’ Movie Review: An Efficient Police Procedural that Works Better as a Sociopolitical Commentary Amartya Acharya March 2, 2025
Review The Convert (2023) Movie Review: Exploring The Complexities of Faith and Power Shinji Alizeh Majumder October 27, 2024
Netflix · Review · Streaming Now Woman of the Hour (2024) Movie Review: A Taut Thriller that Serves as an Examination of Sexism and Misogyny in the 1970s Amartya Acharya October 20, 2024
High On Films
