Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 9, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 29, 2025
ReviewNo Pictures With My Father (2025) Documentary Review: A personal essay that recounts estrangement and reconnection with surface-level precision November 9, 2025 Shikhar Verma
Featured · ReviewSmall Time Crooks (2000) Movie Review: Cookies, Class, and the Price of Wanting More November 9, 2025 Bipasha Bhattacharyya
Featured · Film Festivals · ReviewA Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French IconNovember 9, 2025 Julian Malandruccolo
No Pictures With My Father (2025) Documentary Review: A personal essay that recounts estrangement and reconnection with surface-level precision
A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon
Review Angammal (2024) Movie Review: May the Uchchimala Winds Change Cinematic Trends Naina Rathi March 2, 2025
Review The Divided Island (2024) Documentary Review: A Tale of Division, Resilience, and Hope for Reunification Shinji Alizeh Majumder December 5, 2024
Review The Graduates (2023) Movie Review: A Poignant, Deftly Interwoven Exploration of Life Beyond Loss Akash Deshpande March 2, 2025
Review Between the Temples (2024) Movie Review: Arrested Development and Faith Go Hand-in-Hand in This Charming Dramedy Liam Gaughan March 2, 2025
Review Exhibiting Forgiveness (2024) Movie Review: Art and Trauma Are Linked in an Arresting Debut By Titus Kaphar Liam Gaughan March 2, 2025
Film Festivals · Review The Opera! (2024) ‘Rome Film Fest’ Movie Review: A Dizzying, Ambitious Twist on the Orpheus-Eurydice Myth Debanjan Dhar March 2, 2025
Review Don’t F**k with Ghosts (2024) Movie Review: This Canadian Mockumentary is a Fun Halloween Watch Filled with Staged Candid Moments Akash Deshpande October 29, 2024
Review Here (2024) Movie Review: Please, For the Love of God, Anywhere Else… Julian Malandruccolo March 2, 2025
Review Lost on a Mountain in Maine (2024) Movie Review: A Predictable Tearjerker about Resilience that Examines Certain Aspects of Masculinity Akash Deshpande November 5, 2024
High On Films
