Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
Featured · Film Festivals · Review · TIFF Karmadonna (2025) ‘TIFF’ Movie Review: The Writer of ‘A Serbian Film’ Returns with a Bombastic Celebration of Hedonistic Excess Nikola Jovic October 8, 2025October 9, 2025
BFI London Film Festival · Featured · Film Festivals · ReviewLucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig EconomyOctober 14, 2025 Freddie Kay
Featured · Film Festivals · ReviewDracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its SubjectOctober 14, 2025 Julian Malandruccolo
Featured · Film Festivals · ReviewThe Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken ManOctober 14, 2025 Akash Deshpande
Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy
Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject
The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man
Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness
Film Festivals · Review Bagger Drama (2024) ‘San Sebastian’ Movie Review: Tender, Tragic Portrait of A Family Imploding Debanjan Dhar March 2, 2025
Review The Wild Robot (2024) Movie Review: Ambitious in Form, Domesticated in Content Julian Malandruccolo March 2, 2025
Review Lee (2024) Movie Review: An Unfocused Snapshot of Wartime History Julian Malandruccolo March 2, 2025
Film Festivals · Review Extremely Unique Dynamic (2024) ‘VQFF’ Movie Review: Triple Meta Film is Neither Smart nor Sufficiently Lively Debanjan Dhar March 2, 2025
Review The Substance (2024) Movie Review: Old-age Refuses Oblivion in Coralie Fargeat’s Demented Body-Horror Edgar Batres March 2, 2025
Review Eureka (2024) Movie Review: Lisandro Alonso’s Odyssey Through Indigenous Identity Takes Dazzling Swerves Debanjan Dhar March 2, 2025
Film Festivals · Review · Venice Film Festival Songs of Slow Burning Earth (2024) ‘Venice’ Movie Review: A Shattering, Indelible Record of a Wrecked Ukraine Debanjan Dhar March 2, 2025
Film Festivals · Review The Summer with Carmen (2024) ‘VVQFF’ Movie Review: Sparkling, Smart and Breezy Portrait of a Gay Friendship Debanjan Dhar March 2, 2025
Review Never Let Go (2024) Movie Review: Misplaced Fears Dominate An Uncommitted Thriller Julian Malandruccolo March 2, 2025
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