Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 10, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
ReviewTrain Dreams (2025) Movie Review: An Intimate Passage Through the Vastness of America’s Last FrontierNovember 10, 2025 Julian Malandruccolo
Featured · Film Festivals · ReviewLove Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental PersecutionNovember 10, 2025 Julian Malandruccolo
ReviewNo Pictures With My Father (2025) Documentary Review: A Personal Essay That Recounts Estrangement and Reconnection With Surface-Level PrecisionNovember 9, 2025 Shikhar Verma
Train Dreams (2025) Movie Review: An Intimate Passage Through the Vastness of America’s Last Frontier
Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution
No Pictures With My Father (2025) Documentary Review: A Personal Essay That Recounts Estrangement and Reconnection With Surface-Level Precision
Film Festivals · Review Bagger Drama (2024) ‘San Sebastian’ Movie Review: Tender, Tragic Portrait of A Family Imploding Debanjan Dhar March 2, 2025
Review The Wild Robot (2024) Movie Review: Ambitious in Form, Domesticated in Content Julian Malandruccolo March 2, 2025
Review Lee (2024) Movie Review: An Unfocused Snapshot of Wartime History Julian Malandruccolo March 2, 2025
Film Festivals · Review Extremely Unique Dynamic (2024) ‘VQFF’ Movie Review: Triple Meta Film is Neither Smart nor Sufficiently Lively Debanjan Dhar March 2, 2025
Review The Substance (2024) Movie Review: Old-age Refuses Oblivion in Coralie Fargeat’s Demented Body-Horror Edgar Batres March 2, 2025
Review Eureka (2024) Movie Review: Lisandro Alonso’s Odyssey Through Indigenous Identity Takes Dazzling Swerves Debanjan Dhar March 2, 2025
Film Festivals · Review · Venice Film Festival Songs of Slow Burning Earth (2024) ‘Venice’ Movie Review: A Shattering, Indelible Record of a Wrecked Ukraine Debanjan Dhar March 2, 2025
Film Festivals · Review The Summer with Carmen (2024) ‘VVQFF’ Movie Review: Sparkling, Smart and Breezy Portrait of a Gay Friendship Debanjan Dhar March 2, 2025
Review Never Let Go (2024) Movie Review: Misplaced Fears Dominate An Uncommitted Thriller Julian Malandruccolo March 2, 2025
High On Films
