Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Netflix · Review · Streaming Now Lobola Man (2024) Movie Review: An Exasperating Rom-Com with Little Spark or Freshness Debanjan Dhar July 17, 2024
Review Once Upon a Time in America (1984): Unparalleled Cinematic Grandness David Morgan Brown March 2, 2025
Review Sindhustan (2019): Reimagining The Partition of Sindh Through Ink Ahendrila Goswami March 2, 2025
Netflix · Review · Streaming Now The Neon Highway (2024) Movie Review: A Mild, Eminently Forgettable Inquiry into Second Chances Debanjan Dhar July 15, 2024
Netflix · Review · Streaming Now The Champion (El Campeon, 2024) Netflix Movie Review: Despite Its Glitzy Appearance, The Champion Is Quite Bland Suvo Pyne March 2, 2025
Review · Streaming Now · Zee5 Global Kakuda (2024) ‘Zee5 Global’ Movie Review: A Failed Marriage of Small-Town Drama and Horror Comedy Shashwat Sisodiya March 2, 2025
Film Festivals · Review The Outlandish (Amsevrid, 2024) ‘FIDMarseille’ Movie Review: A Free-Falling Journey Through Archive and Time in Algeria Debanjan Dhar March 2, 2025
Review · VOD Sorry/Not Sorry (2024) Movie Review: An Even-Handed Encapsulation of the Louis CK Sexual Misconduct Case Amartya Acharya July 13, 2024
Film Festivals · Review If I Fall, Don’t Pick Me Up (2024) ‘FIDMarseille’ Movie Review: A Formally Expansive Look at the Samuel Beckett-Walter Asmus Friendship Debanjan Dhar July 11, 2024
High On Films
