Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 10, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
Featured · ReviewBull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay HangoverNovember 11, 2025 Akash Deshpande
Featured · ReviewBaby Driver (2017) Movie Review: Style Overwhelms and Enhances a Mostly Homage-Heavy SubstanceNovember 10, 2025 Amartya Acharya
ReviewSongs of Forgotten Trees (2025) Movie Review: The Hollow Echoes of Female Friendships, Spaces, Childhoods, and Desires. November 10, 2025 Naina Rathi
Bull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay Hangover
Songs of Forgotten Trees (2025) Movie Review: The Hollow Echoes of Female Friendships, Spaces, Childhoods, and Desires.
Film Festivals · Locarno · Review Eight Postcards from Utopia, Sleep #2 (2024) ‘Locarno’ Movie Review: Radu Jude Proves Yet Again Why He’s One of the Most Radical Mischief-Makers in Contemporary Cinema Debanjan Dhar March 2, 2025
Film Festivals · Locarno · Review Fario (2024) ‘Locarno’ Movie Review: Lucie Prost’s Debut is an Almost Impressive Low-Key Coming-of-Age Story Crossed with an Eco-Thriller Amartya Acharya March 2, 2025
Netflix · Review · Streaming Now Daughters (2024) ‘Netflix’ Documentary Review: A Heartrending Documentary Where Even Moments of Joy Evoke a Deep Sense of Despair Akash Deshpande March 2, 2025
Review Stree 2 (2024) Movie Review: A Fun but Massively Ambitious Endeavor Burdened by the Building of the Overarching Cinematic Universe Amartya Acharya March 2, 2025
Review Close to You (2024) Movie Review: Elliot Page’s Searing, Emotionally Honest Performance Elevates Middling Homecoming Drama Debanjan Dhar March 2, 2025
Film Festivals · Locarno · Review When the Phone Rang (Kada je zazvonio telefon, 2024) ‘Locarno’ Movie Review: The Domino Effect of Memory Triggered by a Sensory Stimulus Produces a Somewhat Obtuse Documentation Amartya Acharya March 2, 2025
Film Festivals · Locarno · Review Weightless (Sulla terra leggeri, 2024) ‘Locarno’ Movie Review: Compelling Drama Buries Deep into Memory and Loss Debanjan Dhar March 2, 2025
Film Festivals · Review Shambhala (2024) ‘MIFF’ Movie Review: Min Bahadur Bham’s Ravishing, Calmly Centered Nepalese Odyssey Sways Between the Mundane and the Otherworldly Debanjan Dhar March 2, 2025
Review Consumed (2024) Movie Review: An Interesting Devon Sawa Performance and a Surrealist Third Act Can’t Save This Horror Movie from Feeling Like a Slog Amartya Acharya March 2, 2025
High On Films
