Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Film Festivals · Review MaXXXine (2024) Movie Review: High On Star-Power, Low On Stamina Julian Malandruccolo March 2, 2025
Netflix · Review · Streaming Now Beverly Hills Cop: Axel F (2024) Movie Review: Breezy, Undemanding Sequel Chugs By Inoffensively Debanjan Dhar March 2, 2025
Film Festivals · Review Hema, Ade (On a Sunday), Lori (Melancholy of my mother’s lullabies) ‘IFFLA 2024’ Shorts Reviews Debanjan Dhar July 3, 2024
Review Mother, Couch (2024) Movie Review: Half-Realized Surreal Drama is Too Indulgent to Truly Confound Debanjan Dhar January 13, 2025
Review Sound of Hope: The Story of Possum Trot (2024) Movie Review: Sincere faith-based drama often slips into conventionality and manipulation Shikhar Verma July 6, 2024
Film Festivals · Review The Village Next to Paradise (2024) “KVIFF” Movie Review: Dreams in the Dust and Resilience in the Face of Hardship Niikhiil Akhiil July 1, 2024
Film Festivals · Review A House Named Shahana (2024) ‘IFFLA’ Movie Review: A Revelatory Aanon Siddiqua Grounds Leesa Gazi’s Earnest, Emboldening Film Debanjan Dhar March 2, 2025
Netflix · Review · Streaming Now A Family Affair (2024) Movie Review: Netflix’s new rom-com offers some genuine chuckles while telling a tale about our fear of commitment Shikhar Verma March 2, 2025
Review Dear Jassi (2024) ‘IFFLA’ Movie Review: Tarsem Singh’s Austere, Chilling Film Centres Love Ripped Apart By Class Debanjan Dhar June 27, 2024
High On Films
