Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Review Kalki 2898 AD (2024) Movie Review: A Visual Effects Extravaganza and World-Building Exercise Pays Off in Dividends, Masking Some of Its Flaws Amartya Acharya March 2, 2025
Film Festivals · Review bluish (2024) ‘FIDMarseille’ Movie Review: A Pale Blue Glance at the Dullness of Life Sofia Topi March 2, 2025
Film Festivals · Review Ullozhukku (2024) ‘IFFLA’ Movie Review: Parvathy and Urvashi Magnificently Steer Exquisitely Understated, Simmering Two-Hander Debanjan Dhar March 2, 2025
Prime Video · Review · Streaming Now I Am: Celine Dion (2024) Documentary Review: An Astoundingly Honest and Overwhelming Peek into the Artist Debanjan Dhar March 2, 2025
Review Suraj Ka Satvan Ghoda (1992) Movie Review: A Modern Reiteration of Devdas in Parallel Cinema Pritha Banerjee June 27, 2024
Film Festivals · Review Pelikan Blue (2024) ‘Annecy’ Movie Review: An Enthralling Trip Through Post-Socialist Hungary Debanjan Dhar March 2, 2025
Film Festivals · Review Pirópolis (2024) ‘Sheffield Doc/Fest’ Movie Review: An Immersive Meditation on the Mundane and the Tragic Inside a Land in a Constant State of Emergency Akash Deshpande March 2, 2025
Film Festivals · Review Our Land, Our Freedom (2024) ‘Sheffield DocFest’ Movie Review: Impassioned Portrait of a Struggle for Justice Debanjan Dhar March 2, 2025
Review The Exorcism (2024) Movie Review: Isn’t Interesting as a Self-Contained Horror Movie Without its Numerous Contexts Weighing it Down Amartya Acharya March 2, 2025
High On Films
