Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Review Naam (Identity, 2024) Short Film Review: A Sweet, Charming Melodrama of Proportions About Overcoming Inner Conflict Shashwat Sisodiya June 23, 2024
Review Bad Boys: Ride or Die (2024) Movie Review: Will Smith and Martin Lawrence Reunite Once Again for an Even More Ridiculously Fun Spectacle Samuel Clark March 2, 2025
Netflix · Review · Streaming Now Trigger Warning (2024) Movie Review: Jessica Alba-led Action Flick is Bogged Down by Generic Contrivances Debanjan Dhar March 2, 2025
Netflix · Review · Streaming Now Black Barbie (2024) Movie Review: Too Straitjacketed and Plodding as a Course-Correction Debanjan Dhar March 2, 2025
Review Banel & Adama (2024) Movie Review: Ramata-Toulaye Sy’s Elegant, Atmospheric Debut is Propelled by a Singular Heroine Debanjan Dhar March 2, 2025
Prime Video · Review · Streaming Now Federer: Twelve Final Days (2024) Documentary Review: An Emotional Celebration of a Sporting Legend Told Through a Rather Unusual Asif Kapadia Documentary Amartya Acharya March 2, 2025
Review The Bikeriders (2024) Movie Review: A Steady, Sincere Ode to the Passions That Grow Beyond Us Julian Malandruccolo March 2, 2025
Film Festivals · Review The Boy and the Suit of Lights (2024) ‘Sheffield DocFest’ Movie Review: Captivating, Tender Peek into a Young Bullfighter-Rookie Debanjan Dhar March 2, 2025
Film Festivals · Review Where Dragons Live (2024) ‘Sheffield DocFest’ Movie Review: Emotionally Stirring Journey Through Family History Debanjan Dhar March 2, 2025
High On Films
