Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Film Festivals · Review · Tribeca Satisfied (2024) ‘Tribeca’ Documentary Review: A Sentimental Tour Through Renée Elise Goldsberry’s Life During the Hamilton Days Akash Deshpande March 2, 2025
Film Festivals · Review Pavilion 6 (2024) ‘Sheffield DocFest’ Movie Review: Vivid Snapshots of Pandemic Anxieties Debanjan Dhar March 2, 2025
Disney+ · Review · Streaming Now Inside Out (2015) Movie Review: “Feelings Can Creep Up Just Like That” Amritt Rukhaiyaar September 7, 2024
Review ME (2024) Short Film Review: 22 Minutes is All Don Hertzfeldt Needs to Map Out His Next Evolutionary Phase Julian Malandruccolo March 2, 2025
Review Inside Out 2 (2024) Movie Review: Emotions Come of Age in this Worthy Pixar Sequel Aryan Vyas March 2, 2025
Max · Review · Streaming Now The Great Lillian Hall (2024) Movie Review: A Retrospective Melodrama that Contemplates Fame, Fate, and Mortality Akash Deshpande March 2, 2025
Review Athhoi (2024) Movie Review: Over-Directed, Over-Stylized and Over-Acted, But Lacking in Specificity and Meaningful Substance Amartya Acharya June 19, 2024
Review Sight (2024) Movie Review: An uninspiring faith-based story about an inspiring personality Shikhar Verma March 2, 2025
Review My Father is Afraid of Water (2023) Short Film Review: A Beautiful Ode to the Ailing Fathers and the Journey to Help Them Pramila Tripathi March 2, 2025
High On Films
