New Criterion Collection Movies Coming Soon: Branded to Kill, Petite Maman, and More

Old Hollywood collides with New Hollywood, and screen horror with real-life horror, in the startling debut feature from Peter Bogdanovich. Produced by Roger Corman, this chillingly prescient vision of American-made carnage casts Boris Karloff as a version of himself: an aging horror-movie icon whose fate intersects with that of a seemingly ordinary young man (Tim O’Kelly) on a psychotic shooting spree around Los Angeles. Charged with provocative ideas about the relationship between mass media and mass violence, Targets is a model of maximally effective filmmaking on a minimal budget and a potent first statement from one of the defining voices of the American New Wave.

Céline Sciamma’s follow-up to Portrait of a Lady on Fire transcends time and space to weave a delicate fable about grief, family, and connection across generations. In the wake of her grandmother’s death, eight-year-old Nelly (Joséphine Sanz) accompanies her distraught mother (Nina Meurisse) to her childhood home. There, Nelly’s encounter with another young girl (Gabrielle Sanz) brings mother and daughter together in a way neither could have ever imagined. Evoking childhood’s perpetual state of wonder through luminous, richly textured images, Petite maman takes viewers on a journey inward for a quietly miraculous tale of emotional time travel.

Two women, a turquoise Thunderbird, the ride of a lifetime. With this pop-culture landmark, screenwriter Callie Khouri and action auteur Ridley Scott rewrote the rules of the road movie, telling the story of two best friends who find themselves transformed into accidental fugitives during a weekend getaway gone wrong—leading them on a high-speed southwestern odyssey as they elude police and discover freedom on their own terms. Propelled by irresistible performances from Susan Sarandon and Geena Davis (plus Brad Pitt in a sexy, star-making turn)—and nominated for six Academy Awards, winning one for Khouri—the exhilaratingly cathartic Thelma & Louise stands as cinema’s ultimate ode to ride-or-die female friendship.