From A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity
As an outsider to the internal mechanisms of the Hindi film industry, one may not claim proximity, but it doesn’t…
As an outsider to the internal mechanisms of the Hindi film industry, one may not claim proximity, but it doesn’t…
Karan Tejpal’s “Stolen” (2025), backed by Anurag Kashyap, Gaurav Dhingra, Kiran Rao, Nikhil Advani, and Vikramaditya Motwane, is a scintillating…
In her article Playing Cricket in Eidgah: Affective Labour in Kashmiri Childhood(s), Sarbani Sharma postulates “the figure of the Kashmiri…
To write about the best Indian movies of the year—another year that echoes the same patterns which seemed to kickstart…
Directed by Karan Sharma and produced by Dinesh Vijan (“Stree” Universe), “Bhool Chuk Maaf” attempts a genre mashup with a…
In a land suffocating under fear and corruption, Brigadier Baldev Pratap Singh arrives as a nameless wanderer—his past buried, his…
Netflix’s Rana Naidu, created by Karan Anshuman, first dropped in March 2023 and quickly became one of India’s top trending…
Bhaimon Da” (2025), a biopic of the celebrated Assamese filmmaker Munin Barua—affectionately known as Bhaimon Da by those close to…
With his identical aviators, sandals, and formal shirts tucked into plain trousers, Amay Patnaik (Ajay Devgn) returns to the big…