Songs of Paradise (2025) Movie Review: Saba Azad Shines in This Luminous Kashmir Drama
You can always tell when a film is made with love, not the kind that asks for applause, but the…
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Baramulla (2025) ‘Netflix’ Movie Review: The Script Is the Film’s True Vengeful Spirit
After 2024’s “Article 370,” the team of two Adityas and Monal Thakkar is back with another smartly-crafted, shiny Trojan horse…
The Murder We Witnessed, The Life We Must Invoke: A Critical Analysis Of Shamya Dasgupta’s ‘Unmechanical’
Ritwik Ghatak remains misunderstood and distant from most lives. Even cinephiles who believe that a linear comprehension would take them…
Zubeen Garg’s Roi Roi Binale (2025): A Turning Point for Assamese Cinema?
Assamese cinema’s vitality has long been tied to Zubeen Garg’s singular energy. Zubeen has been a part of every defining…
Breaking the Cage in ‘Girls Will Be Girls’: Shuchi Talati’s Feminist Lens on Women’s Emotional and Sexual Psyche in South Asian Cinema
The year 2024 signified a notable shift, with women taking the center stage in the Indian film industry. This article…
Aaryan (2025) Movie Review: A Thoughtful Crime Thriller That Misses Its Mark
Actor Vishnu Vishal’s “Ratsasan” (2018) left a strong impression on Tamil cinema audiences. Any thriller released after “Ratsasan” (2018) naturally…
Park Avenue (2025) Movie Review: A Familiar Familial Drama Caught Between Ambiguity and Exposition
“Park Avenue” opens with sweeping birds-eye view shots of Montana’s vistas, these vast expanses of grassy fields and rivers where…
Walud (2025) Short Film Review: Daood Alabdulla and Louise Zenker’s Attempt to Reify the Female Agency
An arid Syrian valley. Almost desolate except for a herd of sheep grazing slowly hither and thither. There, a woman…
Roads of Fire (2025) Movie Review: A Harrowing Skillfully Managed Portrait of People in Need
Films about immigrants, both fictional and documentary, must always avoid oversentimentalizing in an already heated political environment. For its most…