Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985)
Few filmmakers in Indian cinema have engaged with silence, spirituality, and guilt as hauntingly as G. Aravindan. A maverick of…
Few filmmakers in Indian cinema have engaged with silence, spirituality, and guilt as hauntingly as G. Aravindan. A maverick of…
What is the greatest three-movie run by an actor? Well, first, let me define what I mean by greatest, and…
Rest assured, Shahi Kabir’s contributions to Kerala’s cinematic and cultural understanding of its police system are unprecedented in their responsible…
It often happens that the fiercest creative impulse is born from a sudden, consuming interest in a new area of…
A month ago, most of us did not know about “Saiyaara” or the people who starred in it. Fast forward…
We rightfully revere the groundbreaking, progressive, and entertaining content of OTT platforms, whether Indian or international. We discuss it on…
With more and more films crossing borders and getting viewed in countries miles away from the land it was made,…
I did not have the fortune of watching any of Pulkit’s feature films, apart from the ALT Balaji miniseries “Bose:…
A few days after having watched Sanjay Leela Bhansali’s Gangubai Kathiawadi (2022), I found myself going back to an old…