Angammal (2024) Movie Review: May the Uchchimala Winds Change Cinematic Trends
It is our popular fault not allowing women faults- a fault reflected in our popular cinema. Replete with motherly, dainty,…
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Film Festivals | MAMI | Review
The Fable (2024) ‘MAMI’ Movie Review: Magical Realism in the Himalayas
Nine years after making “Thithi,” one of my favorite Indian films of the 2010s, Raam Reddy is back with “The…
MUBI | Review | Streaming Now
Tortoise Under the Earth (Dharti Latar Re Horo, 2024) ‘MUBI’ Movie Review: A Patient and Beautifully Engaging Marriage Story on the Eternal Pain of Displacement
One of the biggest celebratory occasions in Jharkhand is the annual Chhath Puja, popular as the only surviving pre-Vedic festival…
Do Patti (2024) Movie Review: Important Messaging Gets Lost in the Morass of an Incoherent Narrative
Kanika Dhillon’s oeuvre seems to suggest a resurgence of the pulpy nature of storytelling as well as a hearkening back…
Bougainvillea (2024) Movie Review: Impeccable Attention to Detail Elevates a Weak, Predictable Story
On the heels of a banner year for Malayalam cinema, it should be no surprise that Amal Neerad would be…
Everything Coming to Prime Video in November 2024
November 2024 brings an exciting lineup of Prime Video Originals, featuring a diverse range of films and series that cater…
‘All We Imagine as Light’ (2024) and the Poetic Deconstruction of the ‘Indomitable Mumbai Spirit’
Payal Kapadia’s Grand Prix-winning “All We Imagine as Light” just had its premiere at the MAMI Film Festival 2024. The…
Everything Coming to Plex in November 2024
Plex is gearing up for an exciting lineup of films and series in November 2024. Viewers can look forward to…
Film Festivals | MAMI | Review
Pooja, Sir (2024) ‘MAMI’ Movie Review: An Efficient Police Procedural that Works Better as a Sociopolitical Commentary
The Madhesh Crisis of Nepal, whereby the Madhesh communities would launch a political movement for identity and equal rights, becomes…