“Father Mother Sister Brother” marks Jim Jarmusch’s return to anthology filmmaking. The self-described anti-action movie that recently won the top…
Kathryn Bigelow’s “A House of Dynamite” (2025) starts with an explosion and an onscreen warning. It’s a real-time thriller steeped…
“What She Doesn’t Know” is the latest film from horror filmmaker Juan Pablo Arias Munoz. It follows a trio of…
Paul Greengrass has never been one to let the recency of tragedy prevent him from viscerally recreating it in the…
The term “old-fashioned” is often used to disparage the intentions of a film, but for a project like The History…
On the surface, the meaty and rather charming premise of “The Thursday Murder Club” (2025) promises no-brainer brilliance, walking a…
The Paper is a mockumentary workplace comedy and the first official spin-off of the beloved NBC series The Office, created…
The final chapter of the Millennium trilogy, The Girl Who Kicked the Hornets’ Nest (Luftslottet som sprängdes, 2009), shifts away…
TIFF 2025 has kicked off with an avalanche of nostalgia: the newly-released trailer for the documentary John Candy: I Like Me is…