Autobiography (2022): ‘TIFF’ Review – An strikingly impactful coming-of-age debut
The primary purpose of cinema’s existence is perhaps to entertain people, but often it becomes the medium for the artistic…
The primary purpose of cinema’s existence is perhaps to entertain people, but often it becomes the medium for the artistic…
Every time I am watching a coming-of-age story, I secretly wish the director brings to screen a glimpse of the…
It is the New Year’s Eve of the millennium. As we hear excited reporters on the television talking about the…
Ever since rumors arose about the landmark Roe v/s Wade ruling being overturned by the Supreme Court of the United…
Christopher Winterbauer’s feature film Wyrm speaks in a kind of language every syllable of which manifests an obscenely cruel truth—…
Andrew Nackman’s second directorial venture, Paulie Go! (2022) revolves around a high school AI prodigy named Paulie (Ethan Dizon) with…
One of the most important narratives to come out last year was The Fallout which dealt with the process of…
Janek Ambros’ 40-minute long documentary short “Money, Fascism and Some Sort of Acid,” opens with a frantically edited sequence from…
Since the turn of the century, Italian filmmaker Paolo Sorrentino has preoccupied himself with creating alternate realities. Through his inventive…