Shoebox [2021]: ‘DIFF’ Review – Empty gestures mangle this ode to a single screen and a changing city
In Faraz Ali’s debut feature Shoebox, we find ourselves frequently confronted with questions relating to the reconfiguration of identity, the…
In Faraz Ali’s debut feature Shoebox, we find ourselves frequently confronted with questions relating to the reconfiguration of identity, the…
Those who live in India and are aware of how the government is using the Hindi film industry to advertise…
A shy groom and a self-assured bride. Characters from Meenakshi Sundareshwar are presented in the same manner. Not as a…
Jai Bhim (2021) Prime Video Review: At a crucial junction in the film as the second act concludes and the…
In her debut short Number 26 (2021), an emerging Georgian director Gvantsa Mepharishvili examines the psychological turmoil of a ski…
We enter into the film and the United States of America with our protagonist, Sister Tse, an immigrant from China,…
Netflix released the three-part mini docu-series ‘House of Secrets: The Burari Diaries’ in October 2021 and has taken the OTT…
The Medium (2021) is a Thai-South Korean supernatural-horror film that marks the return of filmmaker Banjong Pisanthanakun to straight horror…
In the opening minutes of Liz Garbus’s outstanding, endlessly watchable documentary on the life and legacy of Jacques-Yves Cousteau, the…