Interview with Lesia Diak: Director, Dad’s Lullaby (2024)
For many of us, the war in Ukraine seized our attention with the 2022 invasion, but for Ukrainians, warfare has…
For many of us, the war in Ukraine seized our attention with the 2022 invasion, but for Ukrainians, warfare has…
Luuk Bouwman’s doc, “The Propagandist” is all about projection and hiding. It’s a convenient schematic arrangement of facts and fiction,…
The genealogical tracing of a community, or even the discovery of a community as a result of colonization and slavery…
Luca Guadagnino is a treasured specimen in the current landscape of arthouse cinema. He is one of the increasingly rare…
A few minutes into Johannes Grenzfurthner’s “Solvent,” we are privy to a dilapidated Austrian farmhouse belonging to one Wolfgang Zinggl,…
Mrinal Sen will always be known as a Marxist artist. Right from being involved with the cultural wing of the…
Misha Vallejo Prut’s “Light Memories” circles an act of searching. Misha never got to know of his grandfather. Many reserves…
William Hart’s “Lead & Copper” (2024) narrates the recent public history of Flint City in Michigan. It’s set against the…
Taira Malaney’s “Turtle Walker” (2024) revolves around Satish Bhaskar, an Indian biologist who devoted his life to preserving sea turtles….