Sebastián González and Amílcar Infante’s “Unwelcomed” (2025) offers a provocative, panoramic deep dive into Latin America’s biggest migrant ordeal. Fleeing…
Sandra Beerends’ “Neshoma” is an invocation of a bygone era, lives endured and lost, by turns wondrous and affecting. A…
Shot in Nashik, Reema Kagti’s “Superboys of Malegaon” opens with a wistful ode to Malegaon—a town steeped in nostalgia. Its…
Ali Asgari’s “Higher than Acidic Clouds” opens in closed spaces with an eye to the boundless. Asgari’s voice can’t be…
Stories of displacement are as ancient as time itself. They are inscribed in the annals of civilization, inextricably linked to…
The opening scene of “Warfare” (2025) features a group of largely interchangeable soldiers staring with lurid curiosity at the infamously…
David Bim’s “To the West, in Zapata” has one of the most arresting first chapters of any film playing at…
If you’re sunk in a swamp of solitude, there are movies. If you’re drowned in the deluge of chaos, there…
In 2013, as we were still getting used to smartphones transforming into extensions of our hands and minds, director Spike…