KISFF Interview – Luka Beradze, director of the film Smiling Georgia
Interview by Maria Vatcharadze Luka Beradze was interviewed during Kutaisi International Short Film Festival. Smiling Georgia tells a real story…
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KISFF Interview with Rimantas Oičenka – Director of The Trip
Interview by Irinka Shavladze The third edition of Kutaisi International Short Film Festival recently concluded. The short documentary “The Trip”…
The 10 Best French Musicals
French musical films are equally similar and different from Hollywood musicals. Some of them indulge in a more artificial use…
Film Festivals | MAMI | News
10 Indian Movies to Watch at Jio MAMI Mumbai Film Festival 2023
With a special focus on voices from the South Asian subcontinent, the 2023 Jio MAMI Mumbai Film Festival promises another…
Dariush Mehrjui: In Search of Lower Depths
The Iranian film director Dariush Mehrjui (1939-2023), often credited as the creative force behind the development of the Iranian New…
Netflix | Streaming Now | TV | TV Recaps
Neon (Season 1) Netflix Series: Recap And Ending Explained – How does Santi get a Second Chance?
Netflix’s recent musical drama “Neon” (Season 1) explores the colorful, club-thumping atmosphere of Miami as it follows the story of…
Beauty And The Lawyer (2023) ‘Dok Leipzig Film Festival’ Movie Review: A wavering glimpse at public and private masculinity
Hovhannes Ishkhanyan’s documentary – Beauty And The Lawyer has one of the most unique couples as its subjects. Set in…
Dancing on the Edge of a Volcano (2023) ‘BFI-LFF’ Movie Review: Simultaneously a love letter and hate mail to Lebanon, where one film crew risked everything for their art in “a country that was condemned, yet is still living.”
Dancing on the Edge of a Volcano (2023) ‘BFI-LFF’ Movie Review: “Detach yourself from Lebanon […] You must escape Lebanon”…
Four Daughters “CIFF” Movie Review: Compelling, uneven hybrid docu on a family ripped apart by radicalization
In Kaouther Ben Hania’s documentary – Four Daughters, fact and fiction are interpellated to mixed results. Under the film’s meta-fictional…